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  thcartierrug:

  @mimi.orere

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  tinamotta:

  Instagram Image by William Rankin McLure IV 56213826_161909291492950_5318807321990010114_n

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  cafe-solo:

  Source: pinterest.com

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  parasoli:

  mood of the day.
  

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  thisispaper:

  Atelier Hermann Rosa
  https://thisispaper.com/Atelier-Hermann-Rosa
  

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  modedamour:

  thelevelstore

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  kindofluxe:

  modedamour:

  Bottega Veneta

  ++

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  fashiion-gone-rouge:

  Raphael Soriano -Shulman house, LA, California, 1950
  

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  cafe-solo:

  Source: pinterest.com

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  lacooletchic:

  Clear fruit by @devonmade.glass 🍐 💚
  Vitamins
  #vitamins #full #of #energy #for #my #return #after #insomnia #fruits #special #cocktail #work #sculpture
  https://www.instagram.com/p/B0Tw_I7oN75/?igshid=exr76xbqgbx6

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  lacooletchic:

  ———————————– #instagram#writing#writersnetwork#love#madewords#quotesofinstagram#writer#wordswithkings #instaquote
  https://www.instagram.com/p/B0WVxsRIKAU/?igshid=l4pptvc6ql6b

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  germanpostwarmodern:

  Paul Tuttle Residence (1952) in Pasadena, CA, USA, by Thornton Ladd

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  architectureandfilmblog:

  LE MEPRIS (CONEMPT) (1965)

  In this movie, Modernism is yet again the villain’s style of choice. Adalberto Libera’s Casa Malaparte on Capri stars as the island home of Jack Palance’s sleazy movie producer, and the venue for his seduction of Bridgitte Bardot’s Camille. The photo I used on this poster is by Francois Halard, from a series on the building.

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