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  germanpostwarmodern:

  Paul Tuttle Residence (1952) in Pasadena, CA, USA, by Thornton Ladd

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  architectureandfilmblog:

  LE MEPRIS (CONEMPT) (1965)

  In this movie, Modernism is yet again the villain’s style of choice. Adalberto Libera’s Casa Malaparte on Capri stars as the island home of Jack Palance’s sleazy movie producer, and the venue for his seduction of Bridgitte Bardot’s Camille. The photo I used on this poster is by Francois Halard, from a series on the building.

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  modedamour:

  bottega veneta via mvb

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  just-good-design:

  Sheads Goldstein residence
  Photo @justinchung

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  someplacealongtheway:

  Oliver Sonne stars in Loewe’s spring-summer 2018 advertising campaign
  

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  philoclea:

  Farnsworth house

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  trend-spotting:

  Antivilla

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