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  northmagneticpole:

  Soft Thinking in Tall Places, 2015-Isabel Nolan

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  red-1994:

  Grace Jones in Issey Miyake from the great fashion book of 1978, East Meets West.
  

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  nobrashfestivity:

  Clyfford Still, Untitled, 1964. Oil on canvas

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  jocelynsuh:

  Koto Bolofo
  

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  eduardoseco:

  “ sin titulo”    ©Eduardo Seco   

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  photos-de-france:

  Elliott Erwitt - Cannes, Alpes-Maritimes, (Diptyque), 1975.

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  drawingdiary:

  Rosie Assoulin

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  thunderstruck9:

  Josef Albers (German-American, 1888-1976), Study for Homage to the Square: Whisper, 1963. Oil on Masonite, 24 x 24 in.

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  rosemaryflutur:

  Struck by the abstract nature of absence; yet it’s so painful, lacerating. Which allows me to understand abstraction somewhat better: it is absence and pain, the pain of absence—perhaps therefore love?
  

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  rosemaryflutur:

  Alfred Eisenstaedt, 1941

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  2yup:

  LUI SHTINI
  

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  ozu-teapot:

  The Circus | Charles Chaplin | 1928

  Charlie Chaplin

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  criterioncollection:

  A morning snack.

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  davidsimonton:

  Kerstin and Sally, Pawnee Grassland, Colorado, 1986 (top)
  

  Sally, Pawnee National Grassland, Colorado, 1983 (bottom)
  

  —Photos by Robert Adams
  

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  mizisham:

  Internet Archive Book Images
  Image from page 310 of “Die forstinsekten Mitteleuropas. Ein lehr- und handbuch” (1914)
  https://www.flickr.com/photos/internetarchivebookimages

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  torontodesign:

  Toronto Water Treatment Plant

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  torontodesign:

  McLaughlin Planetarium

  Whatever happened to Science?

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  thunderstruck9:

  Richard Long (British, b. 1945), Mississippi Mud, 1991. Mississippi river mud on hand-made paper, 149.1 x 95.3 cm.

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  treebystream:

  Rosemary Vanns, Yellow Jug and Fruit mix media 50 x 50 cm

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  altcomics:

  Robert Rauschenberg

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  ageofdestruction:

  image noise, photographed / not photographed by soho, 14th june 2015.

  35 frames, photographed over 7.5 hours, with the subject of the images removed as much as possible; some traces of the background stars remain, however. near centre, elnath (beta tauri) is somewhat visible as a crescent. most of the noise is from charged particles hitting the image detector.

  image credit: nasa/soho. animation: ageofdestruction.

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  rosieprata:

  Conservation Notes: Looking at ephemera in Betty Goodwin’s notebooks
  

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  tamburina:

  Bernard Plossu, Mexico, 1966