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  weissesrauschen:

  Luca Galavotti
  

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  nemfrog:

  How to enjoy pictures. 1914. 
  

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  theories-of:

  Jules Olitski, Lysander-1, 1970

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  365filmsbyauroranocte:

  Grey Gardens (Ellen Hovde, Albert Maysles, David Maysles & Muffie Meyer, 1975): cats
  

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  camomilla for days

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  at Sorauren Farmers’ Market

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  bluecote:

  PG7 saddle shape
  designer. D.W. Renshaw
  manufacturer. Neptune Concrete Ltd
  (street furniture from design index 1972/73)

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  elanormcinerney:

  Thomas Harris | The Silence of the Lambs

  or sharp objects

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  poboh:

  Wapperend wasgoed op de dijk / Laundry flapping on the dike, Volendam,Netherlands, , 1947, Henk Jonker. Dutch (1912 - 2002)

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  cinoh:

  “We went down into the silent garden. Dawn is the time when nothing breathes, the hour of silence. Everything is transfixed, only the light moves.”
  Leonora Carrington 
(via journalofanobody)

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  theories-of:

  Matthew Stone

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  24hoursinthelifeofawoman:

  “I am tired of being a person. Not just tired of being the person I was, but any person at all. I like watching people, but I don’t like talking to them, dealing with them, pleasing them, or offending them. I am tired.”
  — Susan Sontag (I, etcetera)

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  taronisilk:

  Thea Djordjadze

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  igormaglica:

  Giorgio Morandi (1890-1964), Natura morta / Still life, 1956.

  pencil on paper
  

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  adrienneshelly:

  Boyfriends and Girlfriends (Eric Rohmer, 1987)

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  yasisalek:

  Today therapist and I discussed anxiety of judgement, specifically how the majority of other people’s ability to and method of valuing you is completely informed by their own self-value. So fuck them.

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  llo-ro-na:

  Eileen Myles. Noted. 

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  grupaok:

  Lygia Clark, Climbing Grubs (Soft Work), 1964

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  dontrblgme2:

  Untitled (via picsagain)

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  archiveofaffinities:

  Sven Brolid and Jan Wallinder, Triangular Residential Block, Plan, Kortedala, Gothenburg, Sweden, 1957

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