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deliciouslydemure:

Azizi Johari as Rachel in The Killing of a Chinese Bookie (1976)
abacastore:

Kombai mother carrying her child in Irian Jaya, #Indonesia by Frederic Lagrange
cinemarhplus:

Anna Magnani and Pier Paolo Pasolini on the set of Mamma Roma
artspotting:

Sophie Calle, aus der Serie “Der Schläfer”, 1979, Collection Jay Chiat, New York © VG Bild-Kunst, Bonn, 2000
yasisalek:

Today therapist and I talked about the benefit in noticing situations that bring you discomfort (easy) and in staying with that discomfort (not so easy) because it’s in turning towards what you want to run away from that you can really start to see yourself + what you actually need
lanemarinho:

collier . ceramic . handmade .
durgapolashi:

Basic August

Eileen Myles
theories-of:

Anne Collier, Positive (California), 2016
unrar:

Flowers float in the Mediterranean Sea in honor of refugees lost while making the perilous journey to Europe. Last night more than 80 Syrians and Palestinians refugees have drowned in the Mediterranean close to the Libyan shores trying to reach Europe.
may-contain-peanuts:

Pear-shaped
easyryder:

Can - Live & Beyond (1970-1972)
farsizaban:

Two Iranian women in Tehran plant trees and water flowers during national arbor day (1970′s)
a-femmefatalist:

by Yoko Ono
mikidora:

Paintings by Vija Celmins

1. Big Sea I, 1969

2. Big Sea II, 1969
blueblackdream:

Diane Arbus, Self-Portrait, Pregnant, N.Y.C., 1945
inneroptics:

Imogen Cunningham
wolke-studio:

constantin brancusi · l’oiseau dans l’espace / 1923
eddierussia:

Ed Ruscha

THINKING THE SAME, 1974

Pastel on paper, 22 ¾ x 28 ¾ inches
planths:

Edipo re (Oedipus Rex), Pier Paolo Pasolini, 1967
biscodeja-vu:

Belinda and Rosita, Buenos Aires, Argentina. 1998. Alessandra Sanguinetti.
h-o-r-n-g-r-y:

04:44 in the morning.
arles-bedroom:

Hearts of the Revolutionaries: Passage of the Planets of the Future
Joseph Beuys, 1955