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mpdrolet:

Luigi Ghirri
at Mccaul st. Toronto
lintonweeks:

Eamonn Doyle, “END.Twins”
studio-diogo:

Robert Mangold · Imperfect Circle #2, Colour Screenprint, 10 x 10 in., 1973
199714424:

Divine Emanuelle: Love Cult (Christian Anders, 1981)
vauxvintage:

jessica stockholder
hn-yjournal:

via @tara_dale_ IMAGERY| & absolutely obsessing over @lovewant No. 10 issue | Sculpture by Stephen Ormandy @olsenormandy
postpatternism:

Matthieu Mategot
amandajas:

morning detail
artspotting:

Gego (Gertrud Goldschmidt)

Untitled (73/16) 1973 via Moma
antoniogonzalezart:

Jack Bush

Tight Sash, July 1963 oil on canvas, 108.6 × 176.5 cm (42.75 × 69.5 in.)
contemporary-art-blog:

Richard Serra, Walking is Measuring, 1999-2000
lanemarinho:

pantanal . mato grosso . brasil .
house-under-a-rock:

Catherine Destivelle in the 80’s

I was just happy to climb, and to continue to progress. If one of my friends, male or female, could do a route, I figured that I could do it.

source: Behind the Cover-girl Image by Beth Wald | photo: Gerard Kosicki
tumasia:

Catherine Destivelle / Moses Tower
vivipiuomeno1:

Adrian Piper ph. - Food for the Spirit #2. 1971. The Museum of Modern Art, New York. The Family of Man Fund.
nispuk:

frank o’hara
mpdrolet:

Half-grown farm boy on main drugstore corner in town, Medford. Oregon, August, 1939

Dorothea Lange
class-struggle-anarchism:

from David Harvey’s The Condition of Postmodernity p. 43