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  365filmsbyauroranocte:

  Gli occhi, la bocca (Marco Bellocchio, 1982)
  

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  Rosa, Miele (honey), Violette and Sole (sun), 2018

  Wild Inside at Clint Roenisch Gallery, Toronto 

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  catherinelauigan:

  BODYWORKBODYWORK | Kreutzberg, Berlin August 2018

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  amaskdescribingamask:

  datasaint:

  That’s the weirdest worm I’ve seen in a while

  That’s an Aries babe.

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  weissesrauschen:

  Klaus Rinke
  

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  medusabraids:

  1. gay couple at italian newspaper stall c.1960s

   2. talented mr ripley (dir. anthony minghella, 1999)

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  weissesrauschen:

  Klaus Rinke
  

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  mauveflwrs:

  Giorgio Morandi - Fiori (1924)

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  grupaok:

  Robert Morris, Box for Standing, 1961

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  larameeee:

  fosbury-sons-boitsfort-coworking-space-brussels-belgium
  

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  apeninacoquinete:

  black mountain college, 1951

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  dear-john-baldessari:

  Teaching a plant to vote

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  digitised-celluloid:

  Arabian Nights. Dir. Pier Paolo Pasolini. 1974
  

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  theleoisallinthemind:

  Sissi Westerberg 

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  joeinct:

  Anna Magnani, Actress, Rome, Italy, Photo by Leslie Gill, 1941 1

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  coisasdetere:

  Palestine, 2006 - ANJA NIEDRINGHAUS 

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  hihiihihihihihihihi:

  finger lime 

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  aseaofquotes:

  Anne Carson, “The Glass Essay”

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  fuckyeahbrutalism:

  Alley Theatre, Houston, Texas, 1966-68

  (Ulrich Franzen)

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  iconophages:

  s'y frotte

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  douchamp:

  Tracey Emin — Free + Really Wet, monoprint, 1997.