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glimpseofthegarden:
Yvonne Rainer, Film About a Woman Who… (1974)
lamignonette:

H. Wollens
galasai:

Ute Klein

Resonanzgeflechte, 2009
tsaifilms:

Il Decameron (1971)
Directed by Pier Paolo Pasolini
screenshottery:

GPOY

Comizi D’Amore (1965, Pier Paolo Pasolini, dir.)
birdasaurus:

Agnes Choi
torontodesign:

spaceship earth
retentionalfinitude2:
“It is easy to see the beginnings of things, and harder to see the ends.” –Joan Didion, Slouching Towards Bethlehem
berndwuersching:

Eric Snell
Burnt Wood Wall Drawing, 1985
250 cm ø
zonkout:

David Sellers, Tack House, 1965-81, Prickly Mountain, Warren, Virginia
killeds:

Yohji Yamamoto S/S 2009 / Doru Covrig “Hands”
tomorrowcomesomedayblog:
A pair of art students climb on the bronze sculpture, 1975
le-flaneur-visuel:

The Man Who Left His Will on Film, Nagisa Oshima (1970)
ryandonato:

Dennis Oppenheim, Two Stage Transfer Drawing
As I run a marker along Eric’s s back he attempts to duplicate the movement on the wall. My activity stimulates a kinetic response from his sensory system. I am, therefore, Drawing Through Him.
leonmarie:

peindre une fleur en marchant,

vase céramique, corde,

2017

Léon
izvoru:

ph-tom johnson_l’uomo vogue.jpg
ambitionzazastylist:

Bianca Jagger. 1974.
robertogreco:

Air Made Visible, Bruno Munari
sentimental-obsessions:
alwaysjudging
sentimental-obsessions:

Grace Coddington
arterialtrees:

andy goldsworthy
wankelmuth:

flight of starlings

Brandenburg, 2018
thinkingimages:
Jonathan LLense
garadinervi:
Kathy Jull / Graphic Services, University of Waterloo, Canadian Issues. Canada and the Sea, Association for Canadian Studies, 1980 [Canada Modern Archive]