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  maryannecasasanta:

  Tender and Perverse, Birch Contemporary 2015

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  jonasgrossmann:

  paffard keatinge-clay… san francisco art-institute, 1970 @ metalocus

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  artistsbooksandmultiples:

  Laurie Anderson
  Hearring
  Zurich, Switzerland: Parkett Editions, 1997
  10.2, x 4.5 x 2 cm
  Earring with playable sound message (approx. 20 sec.), brass, copper, circuit board, loudspeaker, lithium battery, Plexiglas, wires
  Edition of 150, with signed and numbered certificate.

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  archiveofaffinities:

  Toyo Ito, House in Magomezawa, Funabashi, Chiba, Japan, 1985

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  days-of-reading:

  Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

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  thequeenofgeeks:

  eljujeniodeletras:

  Pablo Neruda

  When my sister invited her and I left to open the door, the sun entered, the stars entered, In came two braids of wheat and two never-ending eyes

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  antoniogonzalezart:

  Agnes Martin

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  softpyramid:

  Michael Heizer making Circular Planar Displacement Drawing, to be erased by first rain, 1970
  (Photo by Gianfranco Gorgoni)

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  Slow rebuild with new work and writing coming soon if you’d like to follow

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  mpdrolet:

  Koto Bolofo
  

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  unmaiden:

  Children work in an opium field in Badakhshan, which is Afghanistan’s largest producer of opium, Northern Afghanistan, 1992

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  dmsck:

  Masion Martin Margiela book

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  lafilleblanc:

  Alighiero Boetti

  Contatore 1972/73

  collage on paper

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  mpdrolet:

  Matin Zad
  

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  archiveofaffinities:

  Kazuo Shinohara, House in Yokohama, Yokohama, Kanagawa, Japan, 1982-1984

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  dinner’s ready, love your Italian wife

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  started working on a publication last month on Gibraltar, will be released…..some time. (at Artscape Gibraltar Point)

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  durgapolashi:

  Innocents and Others

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  treebystream:

  Kishio Suga

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  dekonstruktivisme:

  Anna Heylen autumn—winter 2002—03. 

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  mpdrolet:

  From Royal Road Test, 1967

  Ed Ruscha
  

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  cinoh:

  Photograph by Michelle Slatalla.

  White flowers with yellow centers pop against a backdrop of Mexican feather grass. In my garden, I planted a bed of grasses and low-water perennials including Echinacea ‘White Swan.’

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