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  vjeranski:

  Maanantai Collective

  FURTHER I WILL NOT VENTURE ALONE, 2013
  PIGMENT PRINT, FRAMED
  24 X 31 CM
  

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  cinoh:

  1. Image from page 159 of “The Adolfo Stahl lectures in astronomy, delivered in San Francisco, California, in 1916-17 and 1917-18, under the auspices of the Astronomical Society of the Pacific” (1919) by Internet Archive Book Images

  2. Europe, Iceland, Eskifjordur- webcam :: lichtschimmer

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  mashatupitsyn:

  This line from Frances Ha by Frances is interesting. Superficially it is in reference to Lev, a male character that Frances lives with in the movie, who comes and goes “easily,” sleeps with a new woman every night, leaves the house quickly, jumps from place to place, person to person, without a care in the world. While Frances stalls constantly, struggling to come and go, attached to everything. On a deeper level it is a statement about the way men are able to walk out on/of things while women tend to feel tethered and bound.

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  lanemarinho:

  paris . mai 2016 .

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  topcat77:

  Helen Frankenthaler
  

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  retroavangarda:

  Sigmar Polke 
  Mondlandschaft mit Schilf, (1969)
  dispersion on two different types of fabric 150 x 125 cm

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  thinkingimages:

  Rebecca Horn, still from Performances II, 1973

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  multcolib:

  Another letter in our exhibition, “Sentiment Saved: Letters, Postcards and Other Correspondence from the John Wilson Special Collections,” this from our Literary Arts archives, written by author Don DeLillo in 1989 who made his point quickly and easily….
  

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  criterioncollection:

  Ready for the weekend!

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  milo–vs:

  St. Moritz Church 

  by John Pawson

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  anthropologie:

  Via Pretty Plum Sugar

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  cinoh:

  Untitled (The Wedges) — Louise Bourgeois, 1950
  Wood, painted, and stainless steel
  160 x 34.3 x 30.5 cm / 63 x 13 ½ x 12 in
  
  Collection The Easton Foundation © The Easton Foundation / Licensed by VAGA, New York, NY Photo: Christopher Burke
  

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  abstrakton:

  Carol Bove, Carlo Scarpa at Museum Dhondt-Dhaenens
  

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  awaykeeping:

  Joan Snyder describes what feminist art means to her. This article is a result of a project, organized by Lucy Lippard, Arlene Raven and Ruth Iskin, asking artists to respond to the question. All responses were exhibited at the Woman’s Building in Los Angeles in Feb. 1977. #joansnyder by fabiola.alondra http://ift.tt/22mRIBd

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  giacohh:

  “La Femme Publique” , 1984

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  mglfm:

  So Is This (1982) by Michael Snow