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  dekonstruktivisme:

  Anna Heylen autumn—winter 2002—03. 

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  mpdrolet:

  From Royal Road Test, 1967

  Ed Ruscha
  

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  cinoh:

  Photograph by Michelle Slatalla.

  White flowers with yellow centers pop against a backdrop of Mexican feather grass. In my garden, I planted a bed of grasses and low-water perennials including Echinacea ‘White Swan.’

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  darksilenceinsuburbia:

  Beate Kuhn
  

  Stacked Shells, ca. 1975
  

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  bluecote:

  ben nicholson
  kassel dokumenta wall, 1964
  photo by felicitas vogler

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  mpdrolet:

  Jesse Taylor Koechling
  

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  cinoh:

  sources unknown

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  trotlife-blog:

  Philip Taaffe, Untitled III, 1983

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  mikasavela:

  Walter Gropius, director’s office at Weimar Bauhaus. Colored b&w photo, Lucia Moholy, 1924.

  From The Dessau Bauhaus Building 1926-1999 (1999) edited by Margret Kentgens-Craig.

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  designbby:

  Sol LeWitt

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  mademoiselleclipon:

  Thierry Mugler /  Lightening Bolt Jelly Shoes.
  

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  northmagneticpole:

  Snedker Studio

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  dustrial-inc:

  Wendy Carlos
  

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  weissesrauschen:

  Musée McCord Museum
  

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  elexsitohesrelativo:

  Agnes Martin, Milk River, 1963

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  free-parking:

  Allan Kaprow, from Comfort Zones, 1975, activity booklet

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  durgapolashi:

  durgapolashi:

  Fanny Howe

  Love forgetting and then remembering about this Fanny Howe very-Fanny-Howe-ness

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  mysumb:

  Niger. The Bororos “peuls” tribe by Raymond Depardon.

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  life:

  This iconic image ran in the November 1, 1968 issue of LIFE magazine in an article about winners in the 1968 Olympic games in Mexico City. The headline and caption read: “A stubborn protest jars the Games—Amid Gold Medals, Raised Black Fists—Black gloves and bowed heads of Tommie Smith and John Carlos ignited controversy.” (John Dominis—The LIFE Picture Collection/Getty Images) #Olympics #LIFElegends #TBT

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  carlotta-m:

  Tippi Degré by Sylvie and Alain Degré 

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  loverofbeauty:

  A Ritual of Allmost Unknowable Meaning (Germany 1920s) http://www.jkbookseller.com/

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  osmaharvilahti:

  A Fisherman 1, Japan, 2014

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  weissesrauschen:

  Michael Ryerson
  

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  lafilleblanc:

  Erwin Hauer

  Jerusalem Tower, 1969

  cast stone
  

  (via)

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  cinoh:

  “Even the drug dealers, when they walk by with their Kalashnikovs, they just stop and look.” - JR, speaking of Casa Amarela, which offers classes and workshopsCreditJR-ART.net
  

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