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RENATE BERTLMANN
“AMO ERGO SUM – A SUBVERSIVE POLITICAL PROGRAM”
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Ellsworth Kelly - Oak Tree Leaf.
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at Centennial Park Conservatory
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arthur tress 1979
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In many ‘Spaghetti Western’ films, a broad sub-genre of American Western films that emerged during the 1960s in the midst of Sergio Leone’s film-making success, many of the vuglar roles Native Americans were hired to act in forced them into offensive portrayals with little attention paid to authenticity, with emphasis only placed on painting them as “simple savages.” As a result, many American filmmakers paid little attention to actually translating the indigenous languages for what they were saying on screen. As a result, many actors were able to say what they really felt.
Reel Injun, Documentary (2009)
Love this…
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Lynda Benglis, Platinum Fan, 1980
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It takes me a little time to find the right images for this feed, but I don’t forget: @groupcircle
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Lola Álvarez Bravo
Los almiares (Haystacks), ~1940 -
@miachristiana shot by @kourtneyofthesea for @objectswithoutmeaning 💫 (at Objects Without Meaning Concept Store)
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same
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Dan Simmons, Hyperion
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Hand Shaped Pendant, Olmec, 1500/0300 - Blue-green translucent jade
The Museum of Fine Arts, Houston
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assasanta
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Lunar eclipse in pisces, let’s dig on some emotions
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Cy Twombly
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dennis oppenheim, two-stage transfer drawing
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La prima notte di quiete
Valerio Zurlini
1972 -
Joan Mitchell
Flowers, 1981
lithograph
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nypl:
“Instead of growing twisted like a gnarled tree inside myself, I am able to dance out my anger and my frustrations. Yes, I have danced about lynchings, protested in dance against Jim Crow cars and systems which created sharecropping. I have attacked racial prejudices in all forms…” —Pearl Primus, Dance Magazine, November 1968.
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”Knees”, by Maryanne Casasanta
