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  mungbeam:

  Eve Arnold Art Class

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  nomade-dans-lherbe:

  John Baldessari

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  99percentinvisible:

  The Great Salt Lick: salt blocks licked into beautiful shapes by cows. 

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  catherinelauigan:

  Self Portrait 2015

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  criticalmera:

  Ian Bruce Huntley - Keeping Time 1964-74

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  subspace-subrosa:

  The Talented Mr. Ripley (1999)

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  arterialtrees:

  doris salcedo

  untitled, 1998 

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  weissesrauschen:

  Anna Hammer
  

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  violentwavesofemotion:

  Etel Adnan, from The Spring Flowers Own and the Manifestations of the Voyage
  

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  mpdrolet:

  Wolfgang Filser
  

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  lasmicrofisuras:

  Calder por Ugo Mulas

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  podencos:

  Hanya Yanagihara

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  maryannecasasanta:

  Tender and Perverse, Birch Contemporary 2015

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  jonasgrossmann:

  paffard keatinge-clay… san francisco art-institute, 1970 @ metalocus

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  artistsbooksandmultiples:

  Laurie Anderson
  Hearring
  Zurich, Switzerland: Parkett Editions, 1997
  10.2, x 4.5 x 2 cm
  Earring with playable sound message (approx. 20 sec.), brass, copper, circuit board, loudspeaker, lithium battery, Plexiglas, wires
  Edition of 150, with signed and numbered certificate.

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  archiveofaffinities:

  Toyo Ito, House in Magomezawa, Funabashi, Chiba, Japan, 1985

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  days-of-reading:

  Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

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  thequeenofgeeks:

  eljujeniodeletras:

  Pablo Neruda

  When my sister invited her and I left to open the door, the sun entered, the stars entered, In came two braids of wheat and two never-ending eyes

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  antoniogonzalezart:

  Agnes Martin

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  softpyramid:

  Michael Heizer making Circular Planar Displacement Drawing, to be erased by first rain, 1970
  (Photo by Gianfranco Gorgoni)

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  Slow rebuild with new work and writing coming soon if you’d like to follow

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  mpdrolet:

  Koto Bolofo
  

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  unmaiden:

  Children work in an opium field in Badakhshan, which is Afghanistan’s largest producer of opium, Northern Afghanistan, 1992