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✖Cedric Price, Olympia (1971)
Perspective sketch with cluster of small spheres for seating
Perspective sketch of village square with cluster of small spheres for audiovisual information or air conditioning
y3:
Shirley Villavicencio
Jacket LRNCE
The first page of John Cage’s 4’33”
“On a warm summer evening in August 1952 pianist David Tudor approached a piano on stage at the Maverick Concert Hall in Woodstock, New York. Stopwatch in hand, Tudor sat before the piano and, without striking a note, premiered John Cage’s composition 4’33”.
Commonly known as Cage’s ‘silent’ piece, 4’33” comprises three movements during which a performer—or performers—are instructed to produce no intentional sounds for four minutes and 33 seconds. This radical gesture upended the conventional structure of music, shifting attention from the performer to the audience, and allowing for endless possibilities of ambient sounds to fill the space.
When discussing the work over his lifetime, Cage emphasized that, rather than intending to simply shock his audience, he hoped to attune listeners to silence as a structure within musical notation.”
View works from the MoMA exhibit There Will Never Be Silence: Scoring John Cage’s 4’33” here.
Georgia O'Keeffe | From a Day at Ester’s 1976/1977. Watercolor on paper
https://archive.org/stream/psychologypedago00richrich#page/51/mode/1up
Agnes Martin, Petal
for Borges (at High Park)
The first day of school, Portugal, 1936 .
sophie buhai
Verso La Foce Del Po, 1989. Cibachrome
by Luigi Ghirri
Luigi Ghirri, Capri, 1972
a-beautifulchaos
Ariel Schlesinger
Andrei Tarkovski
Polaroid Photograph - ( Polaroid print)
roni horn - still water (the river thames, for example) 1999
Willy Ronis
Béguinage de Bruges, 1951
Henrik Purienne
from THE DISAPPEARANCE APPROACH by SUSAN HOWE
The new IC Lights collection by Cypriot and London-based designer Michael Anastassiades for Flos.
Robert Deblander, Saint Amand en Puisaye
Robert Mangold – 1/3 Gray-Green Curved Area, 1966, photo credits Guggenheim Museum
Pair of ‘Meander’ Sconces by Cesare Casati & Emanuele Ponzi for Raak 1970s
László Moholy-Nagy, Segments of a Circle, 1971
Chris Steele-Perkins. Chad. Southern Sahara. Racetrack. 1985.