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  workman:

  Bill Brandt, Nude, Seaford,East Sussex Coast, April 1957

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  lafilleblanc:

  Nina Canell

  A Model Where Things Merge, 2011

  (via)

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  tri-ciclo:

  
  Orpheaus Theme (71 x 47.5 cm, lithograph, 1960)
  Jean Cocteau

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  mahdic:

  amir khusrow (1253–1325 CE)

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  snowyoghurt:

  Natvris khe/ Tengiz Abuladze/ 1977
  

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  marionberrin:

  Chez Jean Arp, back in July 

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  northmagneticpole:

  Four Figures (A, B, C, D), Pace Edition, 1998-Robert Mangold

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  nattonelli:

  Lorna Simpson - The Waterbearer (1986)

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  sunsetsilk:

  Hiroshima Mon Amour

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  fernsandmoss:

  Christine Godden, Joan and her dog, 1975
  

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  mpdrolet:

  From Pilgrims

  Zoltán Vancsó
  

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  ubik-void:

  Cedric Price, Olympia (1971)

  Perspective sketch with cluster of small spheres for seating

  Perspective sketch of village square with cluster of small spheres for audiovisual information or air conditioning

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  y3:

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  lrnce:

  Shirley Villavicencio

  Jacket LRNCE

  www.lrnce.com

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  likeafieldmouse:

  The first page of John Cage’s 4’33”

  “On a warm summer evening in August 1952 pianist David Tudor approached a piano on stage at the Maverick Concert Hall in Woodstock, New York. Stopwatch in hand, Tudor sat before the piano and, without striking a note, premiered John Cage’s composition 4’33”.

  Commonly known as Cage’s ‘silent’ piece, 4’33” comprises three movements during which a performer—or performers—are instructed to produce no intentional sounds for four minutes and 33 seconds. This radical gesture upended the conventional structure of music, shifting attention from the performer to the audience, and allowing for endless possibilities of ambient sounds to fill the space.

  When discussing the work over his lifetime, Cage emphasized that, rather than intending to simply shock his audience, he hoped to attune listeners to silence as a structure within musical notation.”

  View works from the MoMA exhibit There Will Never Be Silence: Scoring John Cage’s 4’33” here.

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  apeninacoquinete:

  Georgia O'Keeffe  | From a Day at Ester’s 1976/1977. Watercolor on paper

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  epeba:

  https://archive.org/stream/psychologypedago00richrich#page/51/mode/1up
  

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  paintedout:

  Agnes Martin, Petal
  

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  for Borges (at High Park)

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  historicaltimes:

  The first day of school, Portugal, 1936 .

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  lamignonette:

  sophie buhai

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  midcenturymiskatonic:

  Verso La Foce Del Po, 1989. Cibachrome

  by Luigi Ghirri