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  lrnce:

  Shirley Villavicencio

  Jacket LRNCE

  www.lrnce.com

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  likeafieldmouse:

  The first page of John Cage’s 4’33”

  “On a warm summer evening in August 1952 pianist David Tudor approached a piano on stage at the Maverick Concert Hall in Woodstock, New York. Stopwatch in hand, Tudor sat before the piano and, without striking a note, premiered John Cage’s composition 4’33”.

  Commonly known as Cage’s ‘silent’ piece, 4’33” comprises three movements during which a performer—or performers—are instructed to produce no intentional sounds for four minutes and 33 seconds. This radical gesture upended the conventional structure of music, shifting attention from the performer to the audience, and allowing for endless possibilities of ambient sounds to fill the space.

  When discussing the work over his lifetime, Cage emphasized that, rather than intending to simply shock his audience, he hoped to attune listeners to silence as a structure within musical notation.”

  View works from the MoMA exhibit There Will Never Be Silence: Scoring John Cage’s 4’33” here.

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  apeninacoquinete:

  Georgia O'Keeffe  | From a Day at Ester’s 1976/1977. Watercolor on paper

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  epeba:

  https://archive.org/stream/psychologypedago00richrich#page/51/mode/1up
  

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  paintedout:

  Agnes Martin, Petal
  

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  for Borges (at High Park)

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  historicaltimes:

  The first day of school, Portugal, 1936 .

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  lamignonette:

  sophie buhai

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  midcenturymiskatonic:

  Verso La Foce Del Po, 1989. Cibachrome

  by Luigi Ghirri

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  napolinostalgia:

  Luigi Ghirri, Capri, 1972

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  a-beautifulchaos:

  a-beautifulchaos
  Ariel Schlesinger

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  weissesrauschen:

  goenetix
  

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  zzzze:

  Andrei Tarkovski
  Polaroid Photograph - ( Polaroid print)

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  weissesrauschen:

  Nasos Karabelas
  

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  pleoros:

  roni horn - still water (the river thames, for example) 1999

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  tytusjaneta:

  Willy Ronis

  Béguinage de Bruges, 1951
  

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  mysecretbeach:

  Henrik Purienne

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  arterialtrees:

  from THE DISAPPEARANCE APPROACH by SUSAN HOWE

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  alex-quisite:

  The new IC Lights collection by Cypriot and London-based designer Michael Anastassiades for Flos.
  

  masturbate your eyes! | IG: alexquisite
  

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  commonmusings:

  Robert Deblander, Saint Amand en Puisaye

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  yama-bato:

  Robert Mangold – 1/3 Gray-Green Curved Area, 1966, photo credits Guggenheim Museum
  

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  virtualgeometry:

  Pair of ‘Meander’ Sconces by Cesare Casati & Emanuele Ponzi for Raak 1970s

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  easyryder:

  László Moholy-Nagy, Segments of a Circle, 1971

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  ouilavie:

  Chris Steele-Perkins. Chad. Southern Sahara. Racetrack. 1985.

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  treebystream:

  Cy Twombly, Souvenir d'Arros, 1990

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  weissesrauschen:

  YIANNIS