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✖giuseppe penone
Slouching Towards Bethlehem, Joan Didion
diane arbus by garry winogrand
“I photograph to see what something will look like photographed”
garry winogrand
work in progress for survival kit - communication aid cards
lygia clark
allan krapow
brancusi
anarchitecture, 1974
Antiwar demonstration, Boston Common, October 1969.
Around 100,000 people cheered when the pilot finished.
ion grigorescu
jessica stockholder
Richard Tuttle (via softstage)
Mapped describes a measured personal space characterized by a single length of twine. In this sculptural situation, I have attempted to bring space closer together through a relationship of overlaps and crossovers. It was a meditative response to a desire I had to create a unified architectural shift in my everyday environment.
Sol LeWitt
joseph beuys - i like america and america likes me, 1974
He shared this room with a wild coyote, for eight hours over three days. At times he stood, wrapped in a thick, grey blanket of felt, leaning on a large shepherd’s staff. At times he lay on the straw, at times he watched the coyote as the coyote watched him and cautiously circled the man, or shredded the blanket to pieces, and at times he engaged in symbolic gestures, such as striking a large triangle or tossing his leather gloves to the animal; the performance continuously shifted between elements that were required by the realities of the situation, and elements that had purely symbolic character. At the end of the three days, Beuys hugged the coyote that had grown quite tolerant of him, and was taken to the airport.
max ernst
dennis oppenheim
from haunted woods
borges
from precious stuff
Allen Ginsberg at Mt. Baker (via sarahdeann)
vija celmins
dan graham
labyrinths
Perspective: Insert (Two in One), 1967
gelatin silver print mounted on masonite / 48 x 48 inches
Mel Bochner
plants are like people
marina abramovic & ulay