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Toronto Love
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Lygia Clark
Mmm! That’s my girl!
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Yves Klein
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Yves Klein creating FC1, 1961
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Yves Klein, 1960
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Untitled, 2009.
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as you were
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(via nicholas gottlund)
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Adrian Piper’s Mythic Being
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“Gratitude never radicalized anybody. Because if we spend too much time and energy being so grateful that we have the right to an abortion or the right to vote, then there’s the possibility of that gratitude turning into complacency. We need to move beyond what we’ve accomplished thus far, and look toward the changes we need to make in the future.”
Gloria Steinem on Oprah -
Carl Jung, Man and his Symbols
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Jessica Stockholder
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Assessment of work from Anni Albers’ Preliminary Course, 1928-1929
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Robert Kinmont
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Trademarks from September 1970, by Vito Acconci
“Biting myself: biting as much of my body as I can reach. Applying printers’ ink to the bites; stamping bite-prints on various surfaces.”
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charlotte perriand
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B306 Chaise Longue designed by Charlotte Perriand, Le Corbusier and Pierre Jeanneret, 1928
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Atsuko Tanaka, Electric Dress 1956
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Rebecca Horn
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Stelarc, 1976-80
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Charles Ray, Plank Piece I-II 1973
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Adrian Piper’s The mythic being doing yoga series, 1975
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Gloria Steinem and Dorothy Pitman Hughes
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I want history to remember me not just as the first black woman to be elected to Congress, not as the first black woman to have made a bid for the presidency of the United States, but as a black woman who lived in the 20th century and dared to be herself.
Shirley Chisholm
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shirin neshat
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Adrian Piper
(my hero)
From 1967 to 1970, her early work as a first-generation Conceptual artist brought to bear the techniques and resources of yoga and meditation – what she called the “indexical present,” acquired through her personal practice, on the exploration of consciousness, perception, and infinite permutation using maps, diagrams, photographs and descriptive language. HerHypothesis: Situation series (1968-1970) forged a connection between passive contemplation of objects and the dynamic character of self-conscious agency navigating through time that then led her briefly into unannounced street performance.
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On Kawara - I am still alive
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On Kawara
Since 1966 he has made a long series of “date paintings” (the Today series), which consist entirely of the date on which the painting was executed in simple white lettering set against a solid background. If Kawara is unable to complete the painting on the day it was started he immediately destroys it. Other series of works include the I Went and I Met series of postcards sent to his friends detailing aspects of his life, another series of postcards, I Got Up At, rubber-stamped with the time he got up that morning, and a series of telegrams sent to various people bearing the message “I AM STILL ALIVE”.
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robert smithson
