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lygia clark
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giuseppe penone
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Slouching Towards Bethlehem, Joan Didion
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diane arbus by garry winogrand
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“I photograph to see what something will look like photographed”
garry winogrand
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work in progress for survival kit - communication aid cards
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lygia clark
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allan krapow
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brancusi
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anarchitecture, 1974
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Antiwar demonstration, Boston Common, October 1969.
Around 100,000 people cheered when the pilot finished. -
ion grigorescu
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jessica stockholder
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Richard Tuttle (via softstage)
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Mapped describes a measured personal space characterized by a single length of twine. In this sculptural situation, I have attempted to bring space closer together through a relationship of overlaps and crossovers. It was a meditative response to a desire I had to create a unified architectural shift in my everyday environment.
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Sol LeWitt
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joseph beuys - i like america and america likes me, 1974
He shared this room with a wild coyote, for eight hours over three days. At times he stood, wrapped in a thick, grey blanket of felt, leaning on a large shepherd’s staff. At times he lay on the straw, at times he watched the coyote as the coyote watched him and cautiously circled the man, or shredded the blanket to pieces, and at times he engaged in symbolic gestures, such as striking a large triangle or tossing his leather gloves to the animal; the performance continuously shifted between elements that were required by the realities of the situation, and elements that had purely symbolic character. At the end of the three days, Beuys hugged the coyote that had grown quite tolerant of him, and was taken to the airport.
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max ernst
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dennis oppenheim
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from haunted woods
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borges
from precious stuff
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Allen Ginsberg at Mt. Baker (via sarahdeann)
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vija celmins
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dan graham
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labyrinths
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Perspective: Insert (Two in One), 1967
gelatin silver print mounted on masonite / 48 x 48 inches
Mel Bochner
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plants are like people
