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(via emmacooper)
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(Some of the People)
later on
the house went smaller and smaller
and green moss grew on the shingles
and vegetable things in red and yellow
flowed orange and gold into women
and the grey child
went searching for one more colour
beyond blue eyes and brown hair
past the red tremble of leaves in October
and the silver women
beyond the death - black forest
to where all colours begin
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Lee Friedlander
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If you are in Toronto….
In The Light Of Night II
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It all started with 8 rolls of film and 4 photographers,
Adam Levett
Maryanne Casasanta
Sara Cwynar
Jeremy Jansen
Taking 2 rolls each, we all shot one roll of portraits
and one roll of textures.
We then all swapped our 2 rolls of exposed film,
reloaded and shot textures on top of portraits
and portraits on top of textures.
Creating a double exposure.
These were our results.
Slide Show Presentation:
Thursday, July 15th, 2010
1 Bellwoods Park
Toronto
9pm - 11pmFB link: In the Light of Night
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“according to hatha yoga principles, if you breathe properly and concentrate your pranic (electrical - mental?) energy, you can dissolve a cloud. i tried and photographed the results. this is what happened - see cloud outlined - time elapsed was 3 minutes.”
Peter Hutchinson, Aspen, August 1970 (via on site no. 4, 1973)
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Walter de Maria
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Barbara Kruger
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Barbara Kruger
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Sigurður Guðmundsson
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Sigurður Guðmundsson
(via aubzillatron, hushaby)
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Imogen Cunningham
Self-Portrait 1915
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John McWilliams (b. July 11, 1941): Untitled, 1975 - gelatin silver print (Smithsonian)
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Giuseppe Penone
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This is the first playlist I ever made. It’s from the summer of 2008.
I find myself listening to it often and have come to memorize very well the way the songs relate to each other. It’s called, Ghost at Noon.
Enjoy :)
Incelensa - Quarteto Em Cy
Ah! - Popol Vuh
Loud, Loud, Loud - Aphrodite’s Child
El Ray - Secos e Molhados
Silver Cycles - Eddie Harris
Paint a Lady - Susan Christie
Pelle di Luna - Piero Umiliani
? - ?
For Some We Loved - Dorothy Ashby
Meu Mar - Erasmo Carlos
Alegria Do Povo - Satwa
Alkuhärkä - Kemialliset Ystävät
(photo by David Hamilton)
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Lucie Rie
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william wegman
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william wegman
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Work by Marlo Pascual
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(via aubzillatron)
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Happy 4th.
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The line above is rotating on its axis at a speed of one revolution each day.
«The world is full of objects, more or less interesting; I do not wish to add any more.
I prefer, simply, to state the existence of things in terms of time and/or place.
More specifically, the work concerns itself with things whose interrelationship is beyond direct perceptual experience.
Because the work is beyond direct perceptual experience, awareness of the work depends on a system of documentation.
This documentation takes the form of photographs, maps, drawings, and descriptive language.»
~ Douglas Huebler, 1969.
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Made a playlist to share, called Gravity and Grace.
You can download it here
Day and Night - Bo Hansson
The River Tune - Bassekou Kouyate & Ngoni ba
A Little Girl Lost - David Axelrod
I talk to the wind - Giles, Giles & Fripp
Jardim Dos Deuses - Joyce, Nana Vasconcelos, & Mauricio Maestro
Como O Machado - Lô Borges
Curtíssima - Módulo 1000
Flower Strewing - People
L’ Herbe - Roger Rodier
Parting Dance - Suni McGrath
Manin No Ki - Takashi Nishioka
Psyche I - These Trails
The Crosswords & the Safety Pins - The Battered Ornaments -
“This lakelet was, perhaps, a hundred yards in diameter at its widest part. No crystal could be clearer than its waters. Its bottom, which could be distinctly seen, consisted altogether of pebbles brilliantly white. Its banks, of the emerald grass already described, rounded, rather than sloped, off into the clear heaven below; and so clear was this heaven, so perfectly, at times, did it reflect all objects above it, that where the true bank ended and where the mimic one commenced, it was a point of no little difficulty to determine.”
—Edgar Allan Poe, Landor’s Cottage
From The Illustrated Edgar Allan Poe by Wilfried “Sätty” Podriech
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Eva Hesse, Inside I, 1967, Acrylic, papier-mâché, wood, cord, wire, 30.5 x 30.5 x 30.5 cm,
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Gil J Wolman, Le Mouvement séparatiste, 1978, Fotografia a les sals de plata sobre cartró, 120 x 80 cm
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Jack Tworkov
