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Douglas Huebler, Mediate, 1978
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2 Robert Ryman Paintings.
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Stella
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Komposition L 59, Lithograph, Hans Hartung, 1974
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Simple in construction, yet profound in context, How to Make a Happening is Allan Kaprow delivering 11 rules on how, and how not, to make a “Happening” - a movement begun by Kaprow in the late fifties that is known for its unpredictability, open scores, and constantly-evolving form.
Click the image to listen to the record
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(via Group Show at Helena Papadopoulos Group Show at Helena Papadopoulos – Contemporary Art Daily)
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the Tammy book (info soon…)
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Guy Debord, “A User’s Guide To Détournement”
[…] Since opposition to the bourgeois notion of art and artistic genius has become pretty much old hat, [Marcel Duchamp’s] drawing of a mustache on the Mona Lisa is no more interesting than the original version of that painting. We must now push this process to the point of negating the negation.[…]
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Robert Adams , Tract House, Westminster, Colorado, 1974
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Sigmar Polke
Lösungen V (Solutions V)
1967
Lacquer on burlap
59 1/6 x 49 3/16 inches (150 x 125 cm) -
(via davidhorvitz)
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Man Ray Marcel Duchamp with His Rotary Glass Plates Machine (in Motion) 1920
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transvaal: Le Corbusier, Unité d’habitation, Marseille Kindergarten on the roof
Photographer unknown, Marseille.
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on twitter
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Ed Ruscha - Venice studio
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to all my ladies; luh u ma
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happy women’s day :]
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Carles Rodrigo
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carl sagan
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karl holmqvist
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Maurizio Cattelan
Untitled (Black Star) 1996
Black and white photograph
(16 x 24 inches)
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my work is featured at: fourteen-nineteen
thanks guys!
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Miriam Makeba at the United Nations, 1963, testifying against Apartheid in her home country, South Africa…
“I always wanted to leave home. I never knew they were going to stop me from coming back. Maybe, if I knew, I never would have left. It is kind of painful to be away from everything that you’ve ever know. Nobody will know the pain of exile until you are in exile. No matter where you go, there are times when people show you kindness and love, and there are times when they make you know that you are with them but not of them. That’s when it hurts.” — M.M.
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a buddy: Christopher Schreck
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Glen Denny
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Stan VanDerBeek, Screens of mist and water, 1975
“By day, screens reflect light and provide cooling sprinklers for visitors. By night, they become three dimensional projection surfaces for films of Niagara Falls”
from weirdfriends
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