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  publiccollectors:

  Bruno Munari: Making the air visible, using strips of paper as a learning device, 1969. Scanned from Bruno Munari: Design as Art by Aldo Tanchis, The MIT Press, Cambridge, Mass. 1987.

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  theories-of:

  Benjamin Valenza-La parenthese de Sisyphe, 2010, 103x56x45 cm 

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  defacedbook:

  Sasha Kurmaz

  Spray on the Wall
  
  Series of conceptual inscriptions made on Kiev streets during the spring/summer 2010
  

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  i12bent:

  Hélène Cixous, French writer, poet and philosopher - b. June 5, 1937…

  “We should write as we dream; we should even try and write, we should all do it for ourselves, it’s very healthy, because it’s the only place where we never lie. At night we don’t lie. Now if we think that our whole lives are built on lying-they are strange buildings-we should try and write as our dreams teach us; shamelessly, fearlessly, and by facing what is inside very human being-sheer violence, disgust, terror, shit, invention, poetry. In our dreams we are criminals; we kill, and we kill with a lot of enjoyment. But we are also the happiest people on earth; we make love as we never make love in life.” — Hélène Cixous

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  benseeley:

  Gerry Badger and John Gossage in Conversation,

  parts 1  2  3

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  jesuisperdu:

  Richard Avedon, Annie Leibovitz
  

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  artlistpro:

  
  

  Bela Kolarova via artspotting:via  Contemporary Art Daily

  #collage

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  slowcontent:

  I have work in this exhibition, I will post it after the show comes down.

  Also, post your own work for it here.

  And visit here too if you have any writing about art/labor. 

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  jessiethatcher:

  Lee Friedlander 

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  oceanofmind:

  Frida Kahlo

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  blacktaiga:

  Hasisi Park

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  intentdispersion:

  
  !Women Art Revolution
  Wednesday, June 1 - 9
  10:30AM, 12:15PM, 2:10PM, 4:10PM, 6:10PM, 8:10PM, 10:05PM
  IFC Center
  324 Avenue of the Americas
  New York

  “This revelatory “secret history” illuminates the Feminist Art movement through interviews with and works by visionary artists, scholars and critics like Miranda July, The Guerrilla Girls, Yvonne Rainer, Judy Chicago, Marina Abramovic, Yoko Ono, Cindy Sherman, Barbara Kruger, B. Ruby Rich, Ingrid Sischy and Carolee Schneemann. Score by Sleater-Kinney’s Carrie Brownstein.”

  Directed by Lynn Hershman-Leeson
  with filmmakers, artists, curators and critics in person for selected showings
  
  ***
  http://www.ifccenter.com/films/women-art-revolution/
  http://womenartrevolution.com/

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  weirdfriends:

  Pablo Picasso

  Fragment(s) of brick, 1962

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  transvaal:

  Pandeiro 19c By Anon

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  Clay Hickson - together

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  noontide:

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  Mark, how do I get in touch with you?

  markmcevoy:

  mark mcevoy

  montag’s book club, 2011

  screenshot

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  hauntedwoods:

  Andrew Laumann

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  christopherschreck:

  I picked up a copy of Tommy Nease’s new zine PNEUMA last night

  Lovingly edited and published by Kristopher Keith Helton through his publishing outfit Other/Other

  Check out Tommy’s work HERE and Other/Other HERE

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  iceblack:

  chad muthard

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  towerofsleep:

  referenceartgallery:

  Helmut Smits

  Blog Interlude 2011
  Blog Interlude is a blank image for blogs, meant as a moment of rest.

  please enjoy this brief blog interlude courtesy of helmut smits

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  unconsciouskoine:

  Concetto Spaziale, Attese, by Lucio Fontana (1968).

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  gifmovie:

  Lutz Mommartz’s Tanzschleife (Danceloop) (1967)

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  I had the pleasure of having work printed in Issue #01. It’s a beautiful large-format and well designed photography publication whose mandate I highly support. Check it out!

  stevenbeckly:

  Unpublished ISSUE #02
  One night sale + exhibition
  Tuesday May 24, 2011 h. 6:30 pm - 10:30 pm
  O’ - via Pastrengo 12, Milan (Italy)
  Sound performance by Invernomuto

  I have work in the beautifully printed second issue of Unpublished, an independent publishing and artistic project aiming to promote and disseminate contemporary photography. For more information on the launch party and one night exhibition of original prints, view their press release.

  Unpublished - Best unseen photography
  Independent free publication in support of the spread of contemporary photography
  Biannual, 28,5 x 42 cm (11,2” x 16,5”), 40 pages on 140gsm Fedrigoni X-PER, Saddle Stitched
  Edition of 500, hand-numbered

  Click here to flip through the second issue.