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Calendario, 1974
Alighiero e Boetti
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Kirsten Haydon, ice sample ,object, 2011,enamel, copper, reflector beads
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sol le witt
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sol le witt
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Morrie Camhi: Christo and his Running Fence, September 1976 - silver gelatin print
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Hands Painted by Picasso. Man Ray, 1935.
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the sound of a slice of pizza falling.
good thing we didn’t get hit.
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Sydney Shen
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Mark Nagtzaam
Various Artists, 2008
Drawing
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John Divola
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Birgit Jürgenssen, Nest 1979
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“King of Solana Beach” Eleanor Antin 1974-1975
In “The King of Solana Beach” Eleanor Antin dressed up as a medieval man who believed he was the King of Solana Beach. She documented her daily transformation into the ‘King’ and her contact with her subjects. Eleanor kept a sketchbook and spent time sketching her domain, the landscape drawings look something like Rembrandt’s landscape sketchbooks. Some comedy ensues as the King tries to halt development in his realm, but in the end he fails. The situations Eleanor Antin involved herself in while she was the King were a bit like Don Quixote the Anti-Development Environmentalist takes on the city of Solana Beach.
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Public Cervix Announcement, Annie Sprinkle
“Sprinkle’s performance piece, which had received federal funding, entails inviting audience members to view her cervix with a speculum and flashlight in order to "demystify the female body.”
For Annie Sprinkle, non-misogynistic pornography can be a sex-positive vehicle for banning shame and ignorance while promoting pleasure and feminism. She remains committed to spreading the good news of her pro-sex message, as joyously as possible, that sex should be liberating, fun, free of shame and repression, and infused with creativity, love and spirituality.
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Untitled
Pierre Clerk
1971
35” x 35”via eparis:
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FRANCIS ALŸS
CUENTOS PATRIÓTICOS (Patriotic Tales), 1997
In collaboration with Rafael Ortega
Video Still, 25:40 min.
!!!“Patriotic Tales 1997 targets the rut of Mexican politics in other ways. Alÿs leads a circle of sheep around the flagpole in the Zócalo, the ceremonial square and the site of political rallies. The action is based on an event in 1968 when civil servants were paraded in the city to show support for the government, but bleated like sheep to protest their subservience.”*
Francis Alÿs: A Story of Deception
May 8 - August 1, 2011
MoMA
11 West 53rd Street, 6th Floor
New York***
http://www.moma.org/interactives/exhibitions/2011/francisalys/#/moma/cuentos-patrioticos
http://www.francisalys.com/ -
Mark Peckmezian
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Jenny Holzer
THE LIVING SERIES: SOMETIMES YOU HAVE NO OTHER CHOICE…, 1980-1982
Enamel on metal: black on white
(21 x 23 inches)
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Bruno Munari: Making the air visible, using strips of paper as a learning device, 1969. Scanned from Bruno Munari: Design as Art by Aldo Tanchis, The MIT Press, Cambridge, Mass. 1987.
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Benjamin Valenza-La parenthese de Sisyphe, 2010, 103x56x45 cm
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Spray on the Wall
Series of conceptual inscriptions made on Kiev streets during the spring/summer 2010 -
Hélène Cixous, French writer, poet and philosopher - b. June 5, 1937…
“We should write as we dream; we should even try and write, we should all do it for ourselves, it’s very healthy, because it’s the only place where we never lie. At night we don’t lie. Now if we think that our whole lives are built on lying-they are strange buildings-we should try and write as our dreams teach us; shamelessly, fearlessly, and by facing what is inside very human being-sheer violence, disgust, terror, shit, invention, poetry. In our dreams we are criminals; we kill, and we kill with a lot of enjoyment. But we are also the happiest people on earth; we make love as we never make love in life.” — Hélène Cixous
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Gerry Badger and John Gossage in Conversation,
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Richard Avedon, Annie Leibovitz
