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Anna Paola Guerra
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Matthew Gamber
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Ben Goddard
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Put up some new Shino Tekada pieces on the online store!
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“A novel approach to Ed Ruscha” WET Magazine (December 1981)
Ed Ruscha’s influence on post-war 20th century art really can’t be overstated.
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More, faïence émaillée, 19 x 18 x 17 cm, 2011
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cool.Objet Préféré +
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Noam Rappaport
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Calendario, 1974
Alighiero e Boetti
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Kirsten Haydon, ice sample ,object, 2011,enamel, copper, reflector beads
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sol le witt
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sol le witt
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Morrie Camhi: Christo and his Running Fence, September 1976 - silver gelatin print
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Hands Painted by Picasso. Man Ray, 1935.
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the sound of a slice of pizza falling.
good thing we didn’t get hit.
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Sydney Shen
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Mark Nagtzaam
Various Artists, 2008
Drawing
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John Divola
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Birgit Jürgenssen, Nest 1979
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“King of Solana Beach” Eleanor Antin 1974-1975
In “The King of Solana Beach” Eleanor Antin dressed up as a medieval man who believed he was the King of Solana Beach. She documented her daily transformation into the ‘King’ and her contact with her subjects. Eleanor kept a sketchbook and spent time sketching her domain, the landscape drawings look something like Rembrandt’s landscape sketchbooks. Some comedy ensues as the King tries to halt development in his realm, but in the end he fails. The situations Eleanor Antin involved herself in while she was the King were a bit like Don Quixote the Anti-Development Environmentalist takes on the city of Solana Beach.
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Public Cervix Announcement, Annie Sprinkle
“Sprinkle’s performance piece, which had received federal funding, entails inviting audience members to view her cervix with a speculum and flashlight in order to "demystify the female body.”
For Annie Sprinkle, non-misogynistic pornography can be a sex-positive vehicle for banning shame and ignorance while promoting pleasure and feminism. She remains committed to spreading the good news of her pro-sex message, as joyously as possible, that sex should be liberating, fun, free of shame and repression, and infused with creativity, love and spirituality.
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