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  florianbezu:

  More, faïence émaillée, 19 x 18 x 17 cm, 2011

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  randrenfrow:

  ninedaysoff:

  Objet Préféré +

  cool.

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  mmday:

  Noam Rappaport

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  mpdrolet:

  Calendario, 1974

  Alighiero e Boetti

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  theories-of:

  Kirsten Haydon, ice sample ,object, 2011,enamel, copper, reflector beads

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  iceblack:

  sol le witt

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  iceblack:

  sol le witt

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  jesuisperdu:

  Jared Boger

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  i12bent:

  Morrie Camhi: Christo and his Running Fence, September 1976 - silver gelatin print

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  diafano:

  Hands Painted by Picasso. Man Ray, 1935.

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  bearhair:

  the sound of a slice of pizza falling.

  good thing we didn’t get hit.

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  sensitive:

  Sydney Shen

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  defacedbook:

  Mark Nagtzaam

  Various Artists,  2008 

  Drawing

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  christopherschreck:

  John Divola

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  Birgit Jürgenssen, Nest 1979
  

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  “King of Solana Beach” Eleanor Antin 1974-1975

  In “The King of Solana Beach” Eleanor Antin dressed up as a medieval man who believed he was the King of Solana Beach.  She documented her daily transformation into the ‘King’ and her contact with her subjects.  Eleanor kept a sketchbook and spent time sketching her domain, the landscape drawings look something like Rembrandt’s landscape sketchbooks.  Some comedy ensues as the King tries to halt development in his realm, but in the end he fails.  The situations Eleanor Antin involved herself in while she was the King were a bit like Don Quixote the Anti-Development Environmentalist takes on the city of Solana Beach.

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  Public Cervix Announcement, Annie Sprinkle

  “Sprinkle’s performance piece, which had received federal funding, entails inviting audience members to view her cervix with a speculum and flashlight in order to "demystify the female body.”

  For Annie Sprinkle, non-misogynistic pornography can be a sex-positive vehicle for banning shame and ignorance while promoting pleasure and feminism. She remains committed to spreading the good news of her pro-sex message, as joyously as possible, that sex should be liberating, fun, free of shame and repression, and infused with creativity, love and spirituality.

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  artlistpro:

  
  

  Untitled
  1971
  35” x 35”

  Pierre Clerk

  via eparis:

  
  

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  intentdispersion:

  FRANCIS ALŸS
  CUENTOS PATRIÓTICOS (Patriotic Tales), 1997
  In collaboration with Rafael Ortega
  Video Still, 25:40 min.
  
  !!!
  

  “Patriotic Tales 1997 targets the rut of Mexican politics in other ways. Alÿs leads a circle of sheep around the flagpole in the Zócalo, the ceremonial square and the site of political rallies. The action is based on an event in 1968 when civil servants were paraded in the city to show support for the government, but bleated like sheep to protest their subservience.”*

  Francis Alÿs: A Story of Deception
  May 8 - August 1, 2011
  MoMA
  11 West 53rd Street, 6th Floor
  New York

  ***
  http://www.moma.org/interactives/exhibitions/2011/francisalys/#/moma/cuentos-patrioticos
  http://www.francisalys.com/ 

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  christopherschreck:

  Mark Peckmezian

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  defacedbook:

  Jenny Holzer

  THE LIVING SERIES: SOMETIMES YOU HAVE NO OTHER CHOICE…, 1980-1982

  Enamel on metal: black on white

  (21 x 23 inches)

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  publiccollectors:

  Bruno Munari: Making the air visible, using strips of paper as a learning device, 1969. Scanned from Bruno Munari: Design as Art by Aldo Tanchis, The MIT Press, Cambridge, Mass. 1987.

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  theories-of:

  Benjamin Valenza-La parenthese de Sisyphe, 2010, 103x56x45 cm 

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  defacedbook:

  Sasha Kurmaz

  Spray on the Wall
  
  Series of conceptual inscriptions made on Kiev streets during the spring/summer 2010