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Imponderabilia
At the opening of an exhibition in June 1977 at the Museum of the Galleria d’Arte Moderna Bologna, Abramovic/Ulay stood naked at the entrance opposite each other in such a way that the people streaming in had to squeeze singly through the gap between the two, unable to avoid physical contact. The crucial factor was that everybody had to decide whom to look at as they passed. In this performance, they are forming a physical frame, confronting the involuntary participants passing through the “birth canal” with the experience of touch, the decision which side to face, and exposing them all to an unfamiliar bodily sensation between shame and an awareness of their own bodies, and to close physical contact with another human being which is generally considered disturbing between strangers. The gap between the two protagonists constitutes the actual performance space in which the viewer plays an active part. It is fitting that this action is placed in a museum where people go as spectators, learning at the very entrance that they are involved themselves.
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that’s gold!
“Untitled No.4”
Vinyl Lettering on Wall
2011
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Jenny Holzer
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new work by Maryanne Casasanta
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Derek Franklin, A Complicated Relation
via together
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Stockholm, 1967
Ken Josephson
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New in store
Before Color by William Eggleston
$110
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Garry Winogrand-untitled, 1968
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so beautiful
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From the Three Adjacent Houses, Moe, Victoria series, 1976
Virginia Coventry
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Antoni Gaudi (June 25, 1852 - 1926) was a Spanish Catalan architect who belonged to the Modernist style (Art Nouveau) movement and was famous for his unique and highly individualistic designs. Major works include the (unfinished) Sagrada Familia in Barcalona and the wonderful roofs of Casa Milà, better known as La Pedrera - also in the Catalan metropolis…
Photo of Casa Milà
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Gerhard Richter
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Marlon Brando & Jack Nicholson on the set of The Missouri Breaks,Billings, Montana 1975
Mary Ellen Mark
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John Leongard
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New Jersey home, 1966
Joel Meyerowitz
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Why Pattern, Frank Badur, 2009 - 2010
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Anti-happening (tennis)— Time/Space Definition of the psychophysical activity of matter, 1968
Julius Koller
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v. clnhll
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eames holding a picture of picasso
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Low Relief Sculpture
Artist unknown
Date: ca. 323 B.C.-A.D. 256
via
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Santa Cruz, California, 1975
Elliott Erwitt
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found and/or carefully placed home objects, spring 2011
