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Robert Barry,“Untitled – Concept for Projection”, 1972
Drawing in blue ink on graphic paper with a green grid
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My hero, P.P. Pasolini
from underthesun
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Daniel Buren 1973
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vincenzo agnetti
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Daniel Buren, Olivier Mosset, Michel Parmentier and Niele Toroni
Manifestation no. 3, travail in situ, Salle de spectacle du Musée des Arts Décoratifs, Paris le 2 Juin 1967
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“The meeting of two personalities is like the contact of two chemical substances: if there is any reaction, both are transformed.”
- Carl Jung -
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Florence Henri, Still Life (Tin Can and Shell), ca. 1932
Gelatin silver print -
part of a series entitled, peace bards
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rauschenberg, white painting 1951
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Hawksbill Creek, Swimming Hole, Luray, Virginia
photo by O. Winston Link, 1956
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Hubert Kiecol
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Daine Arbus-Untitled (Marcella Matthaei), 1969.
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Rules of Inference :: Mel Bochner (1974)
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Angela Davis demonstrates against prison conditions at the State Building (Calif.) Photographer: Ray Graham, Los Angeles Times - June 20, 1970
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Richard Avedon-In the American West (1985)
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Gherpe Lamp by Superstudio Italy c. 1967
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‘we want to think’
Radical Architecture protest, Italy 1968
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nbqx:
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Ingo Mittelstaedt
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Ingo Mittelstaedt
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Vito Acconci
Following Piece, 1969
Following Piece is one of Acconci’s early works. The underlying idea was to select a person from the passers-by who were by chance walking by and to follow the person until he or she disappeared into a private place where Acconci could not enter. The act of following could last a few minutes, if the person then got into a car, or four or five hours, if the person went to a cinema or restaurant. Acconci carried out this performance everyday for a month. And he typed up an account of each pursuit, sending it each time to a different member of the art community.
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