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lee friedlander
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Morrie Camhi, Christo & his Running Fence, September 1976
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Christo & Jeanne-Claude, Running Fence, 1976
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Coney Island. A man with flowers on his car, NYC, 1969
Bruce Gilden
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Bruno Munari, Illegible Writings, 1963.
(via munart)
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you
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tk5:
Boris Groys, Marx After Duchamp, or The Artist’s Two Bodies / Journal / e-flux
As masses of people have become well informed about advanced art production through biennials, triennials, Documentas, and related coverage, they have come to use media in the same way as artists. Contemporary means of communication and social networks such as Facebook, YouTube, and Twitter offer global populations the ability to present their photos, videos, and texts in ways that cannot be distinguished from any post-Conceptualist artwork. And contemporary design offers the same populations a means of shaping and experiencing their apartments or workplaces as artistic installations …
Relevant to my interests.
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I.M. Pei, Luce Memorial Chapel, Taiwan, 1963
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revisiting/modifying old work 2009 - 2011
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revisiting/modifying old work 2009 - 2011
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The Virgin Spring directed by Ingmar Bergman, 1960
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henri cartier-bresson
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Martinique, January 1, 1972
[From the Réunion des Musées Nationaux]
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SEMINAL picture
Persona by Ingmar Bergman 1966
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Milan Grygar Performance Photograph by Josef Prošek, 1969
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“Renegade’s funeral, Detroit” from The Bikeriders by Danny Lyon (circa 1965-66).
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brick chimney, wildwood 2011
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Jonas Romo
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Josu Rauscher
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Edward Steichen - Brancusi’s studio, 1920
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really feeling
Indian Summer - Helen Frankenthaler, 1967
via cavetocanvas:
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Spring, 1971, Nova Scotia
Robert Frank
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Robert Rauschenberg, 1949-1962
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Grape vine print on silk in 3 colorways. Unknown manufacturer. c. 1940.
