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  betonbabe:

  LÁSZLÓ MOHOLY-NAGY

  PINS AND PLASTIC, 1937-38

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  michaelswaney:

  Karin Ruggaber, Relief #59, 2008. plaster, pigment, 48 × 70.5 × 2.5 cm

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  michaelswaney:

  Karin Ruggaber, Relief #90, 2010. concrete, plaster, pigment, spray paint & bark, 418 × 166 × 4.5 cm

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  dontrblgme:

  amabro  CHOKU 蛸唐草

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  alightthatnevergoesout:

  and another lovely Ellsworth Kelly plant drawing

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  nathalik:

  Beautiful posters designed by Sonnenzimmer, the Chicago-based studio of painters Nick Butcher and Nadine Nakanishi. (via BOOOOOOOM!)

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  stevienicksandthings:

  Ed Ruscha. Vanishing Cream.

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  jesuisperdu:

  jamey hoag

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  desert-boots:

  I Dunno by Ed Ruscha, 1977

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  kenmat:

  Lutetium_sublimed_dendritic_and_1cm3_cube.jpg

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  wesdelval:

  Bill Bollinger

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  archiveofaffinities:

  Ellsworth Kelly, Rebound, 1959

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  workspaces:

  National Geographic, January 1981 | via ofnationalgeographic

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  ninaperlman:

  (via Knight’s tour - Wikipedia, the free encyclopedia)

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  christopherschreck:

  Karin Ruggaber

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  catasters:

  
  

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  theories-of:

  Christian Maychack-compound flat

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  onethru8:

  Tomas Alonso

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  artspotting:

  Jessica Hans via Iko Iko - tumblr: Strangefires

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  otto-obrien:

  criterioncorner:

  Chris Marker’s Split-Second Cameo in SANS SOLEIL 

  so far as elusive figures go, chris marker isn’t exactly j.d. salinger or anything, but the renowned visual artist is about as far removed from kevin smith as contemporary filmmakers get (er… “living filmmakers” might be the more accurate term). Marker typically represents himself with the image of a cat, and his actual appearances are rare enough for each to qualify as minor events — his brief cameo in Wim Wenders Tokyo-Ga is so jarring that it can unmoor viewers from the rest of the film.

  today i re-watched Marker’s masterpiece Sans Soleil, in part because we’re discussing it on this week’s episode of Operation Kino (Cinema Blend’s podcast, on which i’m one of the co-hosts), and in part because it’s… you know… a day. if i had noticed Marker’s split-second cameo / self-portrait before, i hadn’t remembered. but there he is, just for a frame or two, his face in a camera on a monitor in a camera, on the streets of Tokyo. i considered getting off my ass and retrieving my Canon 7D for the screen grab, but i decided that my iPhone was somehow a more appropriate means of recording this image (i almost feel like this is a spoiler, but you can find it at the 56:06 mark).

  Criterion’s Blu-ray of LA JETEE and SANS SOLEIL is in stores now.

  fave auto-reblog

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  mpdrolet:

  Sand Creatures, 1970

  Ray Metzker
  

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  mpdrolet:

  Exhausted, 2003

  Joseph Szabo

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  jesuisperdu:

  hans nøstdahl

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  christopherschreck:

  Matias Cuevas

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  archiveofaffinities:

  David Hockney, Savings and Loan Building, 1967

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  emmacooper:

  Dieter Roth, Mittlerer Sonnenuntergang, 1968

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  christopherschreck:

  Justin Kelly

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  theglaze:

  McKeever Donovan

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  filosofies:

  A visual research about vegetables and their powerful color. Vegetables are dismantled and purified to their visual essence ‘RAW COLOR’.