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  7knotwind:

  
  

  Joesph Beuys, Fat Chair, 1964
  wire, fat, wooden chair, and wax
  via:ordinarysorrow

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  christopherschreck:

  ceramic planter by Jessica Hans

  see more of her work at her new online store: http://jessicahansceramics.bigcartel.com/

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  dernissage:

  Michal Kern - Searching for Image / 1980

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  gottlund:

  painting & jugs at the swiss institute

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  markmcevoy:

  AMPERSAND

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  kleidersachen:

  Miju Lee

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  insposh:

  Richard Tuttle

  Untitled
  ca 1980
  Fabric, wood, paint, and wire
  20.25 x 17.5 x 5 inches
  51.4 x 44.5 x 12.7 cm

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  towerofsleep:

  Untitled, 2012, pastel on paper, 31 x 29,5” (via Parisian Laundry - Jaime Angelopoulos)

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  filosofies:

  Olof Inger, ‘Do You Remember, 2012, trash bags, 205 x 130 cm

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  jeremyjansen:

  Burnt
  incense burned wall and chain.
  approximately 60” x 14”
  2012 

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  jesuisperdu:

  s. oertelt

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  souvenirs from Cape Point and Simon’s Town, South Africa

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  lovearth:

  trisha brown, roof piece, 1973

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  mpdrolet:

  From Austria

  Peter Granser

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  ooooh!

  danieleverett:

  Grid I, 2012, Image

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  jesuisperdu:

  ada hamza

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  Gagosian blah blah blah….but YA! TWOMBLY!

  disturber-magazine:

  CY TWOMBLY - PHOTOGRAPHS 

  GAGOSIAN GALLERY
  APRIL 27 - JUNE 9, 2012

  “In tribute to the late Cy Twombly, Gagosian Gallery is proud to present his last paintings and one hundred of his photographs, ranging from early studio impressions from the 1950s to a group of landscape subjects that he took in St Barths last year.

  Since 2008, major exhibitions of Twombly’s intimate photographs have been held at FOAM Amsterdam, Museum Brandhorst, Munich and the Palais des Beaux Arts, Brussels; however this is the first time that the lesser known aspect of his oeuvre has been presented in such depth in the U.S. The eight untitled paintings are closely related to the Camino Real group that inaugurated Gagosian Paris in 2010.

  The inimitable, exuberant paintwork and bold, intense colors typify the freedom with which Twombly worked, never restricted to a single reference. Even in the face of his impending death, their elegiac power, vivid palette, and ardent gestures pulse with the energies of the new. Twombly remains one of the world’s most revered contemporary artists, whose central and ongoing relevance to the art of the present is attested to by a stream of recent survey exhibitions in leading international institutions. Since the opening of the first Gagosian Gallery in New York in the mid-eighties, Twombly has been a cornerstone of the gallery.

  He made many exhibitions there over the last twenty-five years, each one as surprising and memorable as the last, from the Bolsena Paintings (1990) to The Coronation of Sesostris (2001) to Lepanto (2002), Bacchus (2007), and The Rose (2009). Ten Sculptures and a Painting (2003), Three Notes for Salalah (2007), Leaving Paphos Ringed with Waves (2009), and Camino Real (2010) inaugurated new galleries in London, Rome, Athens, and Paris respectively.”

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  thegildedcentury:

  Life, November 14, 1944

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  defacedbook:

  Joseph Kosuth

  Notebook on Water, 1965-66

  Envelope, not opened

  (24.3 x 30.5 cm)

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  a photo credit would be cool…

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  blaaargh:

  Challinor, Taylor and Company, Tumblrs, 1870-90