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  commonmusings:

  Martin Barré, 61-T-12. 1961. Oil on canvas.
  

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  ozu-teapot:

  A Taste of Honey | Tony Richardson | 1961

  Rita Tushingham

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  thinkingimages:

  “There are your fog people & your sun people, he said. I said I wasn’t sure which kind I was. He nodded. Fog’ll do that to you, he said.” -Brian Andreas
  

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  vkntmoodboard:

  Helena Almeida (Lisboa, Portugal, 1934)
  

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  imnothinginparticular:

  Progress means simplifying, not complicating.
  - Bruno Munari

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  heathwest:

  Superstudio
  The Continuous Monument, 1969

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  apeninacoquinete:

  Bernard Plossu, Moroccan Palm, 1975

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  inland-delta:

  Félix Vallotton, Washerwomen at Etretat, 1899

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  damirdoma:

  Inspiration: Christo & Jeanne-Claude, Wrapped Trees, 1998.

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  deathandmysticism:

  Mapuche medicine women treating a patient, Chile, early 20th century

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  mashatupitsyn:

  womanhouse:

  ( a ) Deleuze, The Logic of Sense, 1969
  ( b ) Moten & Harney, The Undercommons: Fugitive Planning and Black Study, 2013

  Avital Ronell, Derrida, and Nancy all talk about the ethical debt we are indebted to. The debt that can never be paid off. That endows us to one another. Also, there is nothng more important that Deleuze’s statement on ethics. Which is about readiness. And answering a call. I have referred to this quote for many years. It is my bedrock.

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  poetryconcrete:

  Ice house, photo by Lynn Davis, 2001, in Iran.

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  lonelywomyn:

  standingatthefence:

  MISCEGENATED FAMILY ALBUM

  photo-installation 1980/94, Lorraine O’Grady , Cibachrome prints

  “Attention to framing, both literal and metaphorical, is key to understanding Conceptual artist Lorraine O'Grady’s 1980/1994 photographic installation Miscegenated Family Album. On first glance, the work’s pairing of family photos with ancient statues of Nefertiti seems an elaborate and fantastic way to establish royal lineage, but this family album has little to do with genealogy. Instead it is a subtle recounting of O'Grady’s strained relationship with her older sister, Devonia, a rift that was not resolved before Devonia’s untimely death at 37. O'Grady finds a striking parallel between her sister and Nefertiti, who disappeared in her late thirties, leaving behind six children and her younger sister Mutnedjmet. All the images in the album are scaled identically, eliminating hierarchy and reinforcing a poetic link between the two families.”

   -Alexander Gray Associates (New York) 2008 
  

  this is so beautiful

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  lesthetiquedelinventaire:

  L'Homme de Rio, 1964 

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  mariascrapbook:

  Abbas Kiarostami
  

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  parkerandloulou:

  Irving Penn X Issey Miyake

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  philosopher-liar:

  Another.. 

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  luciledemory:

  Mary Lennox
  

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  associationshop:

  helena almeida

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  styletaboo:

  Philolaos Tloupas - Bench [1969]
  

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  unrar:

  China, Hishuang Panna. Weeding the rice fields. 1979, Eve Arnold.

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  workingsession:

  jim hodges, ‘what’s left,’ 1992

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  trophywivesclub:

  Sade, When Am I Going To Make A Living?

  1984

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  lichtschimmer:

  USA, Maryland, Frostburg - webcam
  

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  birdasaurus:

  Adobe Libre

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  biosparite:

  Agnes Denes

  Isometric Systems in Isotropic Space: The Pyramid, 1975.

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  darksilenceinsuburbia:

  Olafur Eliasson
  

  I Grew Up in Solitude and Silence