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Bridget Riley, Fragment 6/9, 1965
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saw family friend Jonathan Mess’ work on Haw-Lin the other day - nice one!
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Struttin’ like a true g.
I don’t even know.
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zu erinnern und zu vergessen, Ariel Schlesinger
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Untitled (burned Turkmenistan carpet III), Ariel Schlesinger
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Untitled (Socks Holder), Ariel Schlesinger
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L´angoisse de la page blanche, Ariel Schlesinger
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Zak Prekop
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The sound two empty spaces make when they meet, Ariel Schlesinger -
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Ligne Blanche
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Josef Prošek, Performance by Milan Grygar, 1969
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be still my heart
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Untitled 11x14 inches, acrylic on panel, 2012.
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Kees Goudzwaard
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Jochen Lempert
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Alexander Hamilton, Blue Flora Celtica, Narcissus 2
Cyanotype with plant elements, 50 x 65cm - 1990 - 2002 -
claes oldenberg
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Bridget Riley, Broken Circle, 1963
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Happy to participate in this project, congrats Stephanie!
“New Research” on Cool Hunting! (sorry guys, I’m just really excited about this one)
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unknowns.
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beef-san: bruno munari
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Isamo Noguchi, The Kite, 1958 - Man Walking, 1959 - The Gold Mirror, 19058
via mondoblogo
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Roy Lichtenstein, Pyramid, 1968
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Gaetano Pesce
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“People ask why there are so few female artists who succeed. It’s because women are not ready to sacrifice as much as men. Women want a man, they want a family, they want to have children, they want to be loved, and to be an artist. And they can’t; it’s impossible.” - Marina Abramovic, in Bazaar, March 2012
(I read that this morning and have been thinking about it all day. Agree? Disagree? In my heart, I also cannot see all those things co-existing in one life, but I know it’s an unfashionable view. I can also forsee criticism for pairing that statement with this image, but I find this 1974 photo really captivating.)
In related news, see my co-Interviews Editor Ross Simonini’s wonderful interview with Abramovic here on his website.
- Sheila Heti
via believermag:
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Rebecca Horn, Mechanischer Körperfächer (body fan 2) via Rolu
