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  f-l-e-u-r-d-e-l-y-s:

  Prada s/s 2009 Look Book The Spring/ Summer 2009

  An exploration of the collection’s domain of inspiration by AMO: divinity, tribalism and primitive symbolism – graphically represented through the dialogue of references between fashion and imagery.

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  aigypt:

  untitled by MARY||BAMBI on Flickr.

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  roxanaazar:

  Tatiana Berg via Nudashank

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  julianminima:

  Paul Feely

  Alphard, 1964

  Oil-based enamel on canvas

  80 x 80 inches 

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  nevver:

  You can take it!

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  hauntedwoods:

  via Bruce Silverstein Gallery

  Brancusi: The Photographs: Selected Works

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  bearhair:

  Call Ampersand Response is a collaborative artwork made of images exchanged via email. Over a period of several months, Michael Dumontier and Micah Lexier sustained an image-based correspondence by sending each other scans of book covers, found objects, drawings and illustrations belonging to each artist’s respective collection.
  
  The project is based on the idea that their collections speak of their shared artistic affinities while informing their practices. Two rules dictated their conduct: each image was to function as a “call” seeking a “response” from the other artist, and the dialogue was to end when an image recalling the project’s opening image emerged, thereby constituting a narrative loop.
  
  Their conversation gave rise to a bookwork co-edited by Nieves (Zurich) and Artexte. In Artexte’s new gallery space, the project is shown as an installation in which shared themes and motifs are seen to play out over time, alongside objects selected from the source material.

  http://stoppingoffplace.blogspot.ca/2012/05/envoi-esperluette-reponse.html

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  bearhair:

  Merda d’artista (1961) by Piero Manzoni

  http://en.wikipedia.org/wiki/Artist’s_shit

  also: http://artistsbooksandmultiples.blogspot.ca/

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  efedra:

  King and Queen by Issey Miyake S/S 1999 at Dai Fujiwara

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  efedra:

  Issey Miyake by Eiichiro Sakata

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  aigypt:

  Maryanne Casasanta

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  jesuisperdu:

  jacob robert whibley

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  floresenelatico:

  Gabriel Orozco

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  thedesigncenter:

  I was doing some research today about Craftex Mill,  a local Philadelphia Jacquard company that was located at 1806 Venango Street. 

  I found a scan of this book by Craftex owner Herman Blum in our file. How cool!

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  still a fave

  crematorie:

  Charles Ray - Plank Piece I, [Peça de Apoio I], 1973.

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  cabinporn:

  John Campbell’s “Leisure House” in Mill Valley, CA. 1953.

  This photo and many others are available in Chad Randl’s book A-Frame.

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  dustoncrowns:

  SuperMoon Cropped by MarkGregory007 on Flickr.

  SuperMoon of May 6, 2012 - 100% illuminated

  Colors of the moon

  Our eyes cannot see the moon’s true colors. While we normally see mostly shades of gray, there are in fact many subtle color differences. These colors are muted, but they do exist.

  The colors are from different chemical elements on the moon’s surface. Blue indicates high amounts of the element Titanium. Red areas have reduced amounts of titanium.

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  7while23:

  Scott Lyall - Nude - 2012

  6-color, grayscale, and white ink dispersion, UV radiation on cotton, acrylic latex, MDF panel

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  christopherschreck:

  Yves Klein making a fire painting

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  7while23:

  Imi Knoebel

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  pacegallery:

  Reblog of the day: Click on the picture and get hypnotized by Herbert Matter’s 1950 film Works of Calder featuring a soundtrack by John Cage!

  nowness:

  Color and movement: NOWNESS presents the mesmerizing kinetic mobiles of modernist sculptor Alexander Calder 

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  Niigata, 1956 by Hiroshi Hamaya

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