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  ozu-teapot:

  Mamma Roma | Pier Paolo Pasolini | 1962

  Ettore Garofolo

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  birdarchive:

  Yasuhiro Ishimoto
  

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  maryannecasasanta:

  Evenings and Mornings Spent Less Vulnerable, 2017
  

  
  

  When I was a kid I’d ask my mama to make me ‘toota’: one part mildly steeped orange pekoe tea, 3 parts 2% milk, and lots of sugar. Toota. It was my discovery of the mighty feeling that comes with something hot on the roof of my mouth. Though I’m not sure when I first imagined that this wet heat could will me to the needs of my day.
  

  I keep an endless archive of those who similarly rely on this imagined will. I watch them pass through a place like this: A food scientist meeting his copywriter to expedite his cricket-protein pasta sauce invention, a new mom who hasn’t left the house in 48 hours, two women who meet every week at the same hour to hash out the emotional boulders that don’t seem to budge.

  Losing someone, winning something, idle time—coffee is often paired, and it’s cheap. How you take it is as boring as which wrist you drape your watch on. But it’s as relieving as rain when air is muscle-thick. It’s also just something hot on the roof of your mouth.
  

  Anni Spadafora

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  pleoros:

  Andy Goldsworthy - Iris Petals, 2008

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  thinkingimages:

  Ilse Bing: An Avant-Garde Vision
  

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  archaeoart:

  Tower of Toghrul, Rey, northern Iran, circa 1860s.
  

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  treebystream:

  White berries. Helen Sharp. [Water-color sketches of plants of North America

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  d-untrait:

  Cy Twombly Polaroids
  Photographs of Interiors: 1951-2007 - His Own Homes & Studios.

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  terminusantequem:

  Floris Jespers (Belgian, 1889-1965), Yachts on the river Schelde, n/d. Oil on panel, 25.00 x 35.00 cm

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  d-untrait:

  Cy Twombly

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  scandinaviancollectors:

  RUTH ASAWA, Asawa working inside on one of her crocheted wire sculptures, 1957. Photography by Imogen Cunningham. / FAMSF

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  luciazolea:

  Claire Lindsay #womensmarchla

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  membrane:

  Walter De Maria / Mile Long Drawing / 1968.
  

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  yellowfeather84:

  Patti Smith // “Im going to promote myself exactly as I am, with all my weak points and my strong ones. My weak points are that I’m self-conscious and often insecure, and my strong point is that I don’t feel any shame about it.”

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  flashofgod:

  Abbas Attar, Students of the Al Azhar college in Jakarta attend Friday prayer in the auditorium, Indonesia, 1989.

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  treebystream:

  Robert Ryman, Untitled, 1957

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  talapishka:

  An Inuit man warms his wife’s feet. Greenland, 1880—1890s. Photographer Robert E. Peary / National Geographic
  

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  schu-schu:

  90s fashion irving penn vogue 90s comme des garcons 1992 aw 93

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  nemfrog:

  Outline of the cross-section of the radar cloud at 5000 feet. Thunderstorm. 1949. 

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  vkntmoodboard:

  Helena Almeida

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  endilletante:

  Pierre Verger, “Le messager / the go-between” : photographies 1932-1962, ed. Revue Noire, 1993.

  Bolivia, 1946.

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  vjeranski:

  Alex Katz

  
  Sunset: Lake Wesserunsett 1, 1972
  Screenprint in five colors
  30 x 36 inches

  Sunset: Lake Wesserunsett 2, 1972
  Screenprint in five colors
  30 x 36 inches

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  lamignonette:

  @camilafalquez
  

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  lamignonette:

  Per Brandin, American (20th century), 1979 Cafeteria, Brookhaven National Lab, Harvard Art Museum
  

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  planths:

  Edipo re (Oedipus Rex), Pier Paolo Pasolini, 1967

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  huni——–sofia:

  Ramón Masats

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  fotojournalismus:

  Wainwright, Alaska, 1955.

  Photo by Jean-Philippe Charbonnier