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  drawingdiary:

  Zoe Ghertner, New York Flowers

  http://www.gottlundverlag.com

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  patternandshape:

  Electronic Music for Schools
  Richard Orton

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  howtomakemoderndance:

  Placement and Disguise

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  monmignon:

  Aaron Siskind

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  fernsandmoss:

  Francesca Woodman

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  weissesrauschen:

  unbenannt by Adam Kremer on Flickr.

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  nicoonmars:

  Giovanni Anselmo

  Untitled, 1969

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  88pp:

  Eva Hesse 

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  oldhollywood:

  Paul Newman on the set of Butch Cassidy and the Sundance Kid (1969, dir. George Roy Hill ) (photo by Jimmy Mitchell, via)

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  pinatasmashing:

  Broken Whole, Yee Sookyung.

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  sandysays:

  the effect of gamma rays on man in the moon marigolds (paul newman, 1972)

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  visual-poetry:

  “yesterno” by anatol knotek

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  mranai:

  Marina Richter

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  designertextiles:

  DESIGNER – NATSUMI ZAMA

  Natsumi Zama’s fashion designs are inspired by traditional Japanese clothing, and her most recent work entitled “2 -> 3” explores the transition of fabric from two-dimensional to three-dimensional forms.  Each garment, when laid flat, looks as though it is mounted on a large expanse of square fabric, but when worn on the body this backdrop transforms into sweeping folds that dress the figure in pleats and fluted shapes.

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  blogalex:

  Bauhaus Puzzle. Saw it at the Bauhaus archive in Berlin.

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  iceblack:

  David Shrigley

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  roxanaazar:

  Judy Chicago
  Rainbow Picket

  1965 

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  jesuisperdu:

  bezel wang

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  platformplatform:

  Picasso Sam Kaufman

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  defacedbook:

  Jason Lazarus

  Jimi Hendrix Penis (cast by Cynthia, February 25, 1968)

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  mpdrolet:

  A.O.N.B. (Area of Outstanding Natural Beauty), 1982-84

  Keith Arnatt

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  saloandseverine:

  Bellissima, Luchino Visconti, 1951

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  Michel de Broin, Out of the white, 1996. (The intervention on the wall itself consists in extracting a sample of the thick skin of paint composed by the “hundred” exhibitions before this one. The skin of the gallery is hung next to the place where it was removed)

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  thingsorganizedneatly:

  African mask specimens.

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  lafilleblanc:

  Roni Horn

  Asphere I, 1986—1988

  (via)