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Richard Tuttle
Untitled
ca 1980
Fabric, wood, paint, and wire
20.25 x 17.5 x 5 inches
51.4 x 44.5 x 12.7 cm -
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Vito Acconci, Part one and Part two , 1969, Two silver gelatin prints (part one & two), 25 x 28 x 3 cm
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Sol LeWitt, A Circle with Lines in Two Directions (S-30), 1978, Silkscreen
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11th-13th century
Angkor period
Stoneware with iron glaze
H: 11.9 W: 12.9 cm
Cambodia or Northeast Thailand -
Ontological Leap, 1974 by Valie Export
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“Cycle of Experimental Art”, (1968), Rosario, Argentina by Graciela Carnevale.
In the context of Fascist Argentina, Carnevale invited an audience to an exhibition where she locked them inside the gallery for over an hour without prior notice or explanation, until the crowd finally decided to smash the glass to escape.
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Brice Marden
Chinese Landscape 2, 2011
Oil and graphite on marble
35 1/2 x 3 5/8 inches; 90 x 9 cm
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Dan Flavin, eight “monuments” for V. Tatlin, 1968
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propuesta para monumento I, 21 x 29 cm (2012)
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The Art of Today Belongs To Us
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The Art of Today Belongs To Us
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Althea Thauberger, Anatomie Artistique, 2011
Artist of the day: Althea Thauberger, based in Vancouver, BC
1. Proteus, 1984
2. Scent of Madness, 1986
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Still from Chris Marker’s La Jetée, 1962
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【Worlds End】 ‘82 Collection Sack Boot
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Matt Calderwood Concrete
David Risley Gallery, Copenhagen -
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