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  thehollowsquare:

  There’s no need to build a labyrinth when the entire universe is one.

  - Jorge Luis Borges

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  theglaze:

  Clinton King

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  catherinebui:

  wind chimes by Ladies and Gentlemen Studio

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  mpdrolet:

  Sophie Davidson

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  mpdrolet:

  From Limbo

  Dillon Marsh

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  fernsandmoss:

  Nils Udo, Untitled, robinal leaf, bellflower blossom, 1986

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  mpdrolet:

  Brian Vu

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  i12bent:

  Robert Gibbons: Silence with a Tone All Its Own

  Retreated at night to the one room held a bit of coolness away from day’s near hundred-degree heat. There were dreams alright, vanished. Morning dawned polyphonic with the trailing sound of a motorcycle in the distance, truck rumbling out front, but in the back, here, silence chimed in with a tone all its own. Hydrangea loved it. Clematis, red roses, pink, tall grass, & dead leaves loved it, practically saying so to the extent that I heard their additional choric murmur.

  Now, a traditional aubade was written as a morning song to a sleeping woman. Hell, that’s not how things work here. She was up before me washing kitchen & bathroom floors, vacuuming living room, study. From my perspective upstairs in the one cool room, all that became a series of processional drumming, sheepskins wrapped round wooded hoops as prelude to later trailing in the distance, rumbling near at hand, silence with a tone all its own flowers, grass, & dead leaves loved.

  (Ill. Cauyuk drum, late 19th C. / Nushagak Bay, Alaska, United States Metropolitan Museum)

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  ernests:

  abridgetonowhere:

  blueberrymodern:

  theshipthatflew:

  Imogen Cunningham (American, 1883-1976), Leaf Pattern, 1920s (source)

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  aubreylstallard:

  .

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  kleidersachen:

  Nina Donis via Rong Zhao

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  mitte2:

  Morten Lobner Espersen

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  bielcarpenter:

  lascar | bordado | 15X18 cm

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  thetuesdayafter:

  Ed Ruscha

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  wowgreat:

  unknown

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  berndwuersching:

  outtsidethelines:

  Mitjili Naparulla

  
  Mitjili Napurrula

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  cinoh:

  ettore sottsass
  

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  lostinfiber:

  textileandtrim / Victoria fiber sculpture by Fibrations Studio via etsy.

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  delicate-vacuum:

  Qr code textile

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  christopherschreck:

  how is it that MoMA’s never had an exhibition devoted to sound art before now?

  Soundings: A Contemporary Score

  “The Museum of Modern Art’s first major exhibition of sound art, Soundings: A Contemporary Score, presents work by 16 of the most innovative contemporary artists working with sound. While the artists in Soundings approach sound from a variety of angles—the visual arts, architecture, performance, computer programming, and music—they share an interest in working with, rather than against or independent of, a given situation or environment. These artistic responses range from architectural interventions to visualizations of otherwise inaudible sound to an exploration of how sound ricochets within a gallery to a range of field recordings including bats, abandoned buildings in Chernobyl, 59 bells in New York City, and a factory in Taiwan.

  Soundings is also accompanied by evening music events, a film program, and a Sound Lab in The Lewis B. and Dorothy Cullman Education and Research Building.”

  
  The exhibition runs from August 10th through November 3rd.

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  Never Learn Not to Love, 2003
  

  Kaye Donachie
  

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  We wait for one last adventure, 2005

  Kaye Donachie