Brooklyn-based photographer Jeremy Dyer’s series Haemal, he makes collages from portions of his photographs, found snapshots and family photos in order to construct fictional spaces that explore themes such as memory, history, culture and myth in the landscape-as-image
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scan from Wolfgang Tillmans, Manual
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fv6:
Marie Lund
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Sophie Calle, Exquisite pain, 26 days to unhappiness (buddha with no head), 1984/99
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Luigi Ghirri
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B thom Stevenson
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Bedelaar, Pakistan, 1947-1953
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In there somewhere
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Projecting a slide naturally, 2013
slide from my grandparents trip to Brazil in 1977, sun
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Henri Matisse - studio at the Chapelle du Rosaire in Vence - French Riviera
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Alyson Provax - Time Wasting Experiment (2011)
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Eye idol
Period: Middle Uruk
Date: ca. 3700-3500 B.C.
Geography: Syria, Tell Brak
Medium: Gypsum, alabaster
Dimensions: 2 7/8 x 2 x ¼ in. (7.3 x 5.2 x 0.7 cm)
Classification: Stone
Provenance: 1937-38, excavated by Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1951, gift of the Institute of Archaeology, University College London.
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Walking Drawings Across the Estuaries
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fv6:
Bea De Giacomo
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Elad Lassry
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69
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Untitled, 2013, Image
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Ghoulish mud man from the Asaro River Valley, New Guinea, dons a helmet of dried clay and smears mud over his body to portray an evil spirit
National Geographic | July 1969
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john struthers -
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Candles, Barcelona, 2013
Apartamento Magazine’s Omar Sosa for Printed Pages (It’s Nice That)
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Jim Goldberg, Ferdinand Monette, from the series Rich and Poor, 1977; gelatin silver print, 13 15/16 in. x 10 7/8 in. (35.4 cm x 27.62 cm); Collection SFMOMA, Theo Jung Fund purchase; © Jim Goldberg
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