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bielcarpenter:

lascar | bordado | 15X18 cm
thetuesdayafter:

Ed Ruscha
wowgreat:

unknown
berndwuersching:

outtsidethelines:

Mitjili Naparulla

Mitjili Napurrula
cinoh:

ettore sottsass
lostinfiber:

textileandtrim / Victoria fiber sculpture by Fibrations Studio via etsy.
delicate-vacuum:

Qr code textile
christopherschreck:

how is it that MoMA’s never had an exhibition devoted to sound art before now?

Soundings: A Contemporary Score

“The Museum of Modern Art’s first major exhibition of sound art, Soundings: A Contemporary Score, presents work by 16 of the most innovative contemporary artists working with sound. While the artists in Soundings approach sound from a variety of angles—the visual arts, architecture, performance, computer programming, and music—they share an interest in working with, rather than against or independent of, a given situation or environment. These artistic responses range from architectural interventions to visualizations of otherwise inaudible sound to an exploration of how sound ricochets within a gallery to a range of field recordings including bats, abandoned buildings in Chernobyl, 59 bells in New York City, and a factory in Taiwan.

Soundings is also accompanied by evening music events, a film program, and a Sound Lab in The Lewis B. and Dorothy Cullman Education and Research Building.”

The exhibition runs from August 10th through November 3rd.
Never Learn Not to Love, 2003

Kaye Donachie
We wait for one last adventure, 2005

Kaye Donachie
weissesrauschen:

Benny Chirco
youmightfindyourself:

Nathaniel Russel
installator:

“A crew installing Helen Frankenthaler’s painting Guiding Red, 1977… in the mezzanine of World Trade Center II.“ (aaa.si.edu)
mpdrolet:

Alex Thomas
jesuisperdu:

brian luman
aforeignocean:

Constantin Brancusi’s Torso of a Young Man
aubreylstallard:

.
justanothermasterpiece:

David Huff.
howtomakemoderndance:

Plant and Cloak
Christopher Wool - Untitled (P 63), 1988