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  beadegiacomo:

  dragon fruit and liquorice for Alla Carta 2

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  weissesrauschen:

  Gregorio Vardanega

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  wesdelval:

  Leanne Shapton

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  punica-granatum-nana:

  TONI SPYRA | „VACATION“ | 29 x 11 x 8.5cm | 2013

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  artistsbooksandmultiples:

  bpNichol
  Self-contradiction
  

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  who-wore-it-better:

  Allan Kaprow Yard  ::  Hannes Bend Reef

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  jesuisperdu:

  taca sui

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  aubreylstallard:

  -

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  roxaneroxane:

  With Shozo Sato on my mind

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  woolenmilk:

  Long Sashimi Plate. Katsue Ibata. Red clay, white slip, partial over glaze. Length: 30 cm. 1994

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  atelierstella:

  Atelier Stella. Little flower lady vase. no.1 

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  nicoonmars:

  Robert Moran

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  hawktrainer:

  Object & Totem

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  in-frame:

   

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  who-wore-it-better:

  Kazimir Malevich Suprematist Composition: White on White  ::  Tom Friedman 1,000 Hours of Staring

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  aubreylstallard:

  -

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  davidbrandongeeting:

  orange tracks, brooklyn 2013

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  archiveofaffinities:

  Jean-Francois Zevaco, School, Agadir, Morocco

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  archiveofaffinities:

  Minoru Yamasaki, I.B.M. Office Building, Seattle, Washington, 1963

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  nicoonmars:

   margaret durow 

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  archiveofaffinities:

  Hermann Finsterlin, Das Stilspiel (The Style Game), 1921

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  msavignon:

  Ad Reinhardt, “25 Lines of Words on Art: Statement” (1958) from the Archives of American Art.

  Art is art. 

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  roxanaazar:

  fun little shoot at bario-neal!

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  etceterablog:

  Eva Hesse
  Tomorrow’s Apples (5 in White), 1965
  Enamel, gouache, varnish, cord and papier mâché on board
  654 x 556 x 159 mm

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  atavus:

  Robert Barry - It Can Change…, 1970-71