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  pantherclub:

  Paintings from Toronto based artist Vanessa Maltese

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  beeslikehoney:

  Baby Blue, Yellow & Gray Monkey’s Fist Knot - Large by MadeByCassandraSmith () http://etsy.me/12EI1nf

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  oldlawrence:

  The Findhorn Community, The Findhorn Garden: Pioneering a New Vision of Man and Nature in Cooperation (London, 1975), pp 164.

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  eytys:

  Frank Stella 1962.

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  cinoh:

  Comme des Garçons SHIRT by Massimo Gammacurta

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  theparisreview:

  My gift to you will be an abyss, she said,
  but it will be so subtle you’ll perceive it
  only after many years have passed
  and you are far from Mexico and me.
  You’ll find it when you need it most,
  and that won’t be
  the happy ending,
  but it will be an instant of emptiness and joy.
  And maybe then you’ll remember me,
  if only just a little.

  —Roberto Bolaño, “My Gift To You.”
  Photography Credit C. J. Heyliger.

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  7while23:

  Ricardo Passaporte

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  fv6:

  Fanny Dora

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  jesuisperdu:

  garry winogrand

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  ongetiteld:

  The Mouse Museum / The Ray Gun Wing: Two Collections/Two Museums by Claes Oldenburg, Museum of Contemporary Art, Chicago, 1978
  
  
  

  In Oldenburg’s words, “the Ray Gun stands for vision, the power of ‘seeing through walls,’ i.e. the artist’s supposed capacity to discover reality. The slogan connected with it is: ‘Annihilate, illuminate,’ or to be transformed by revelation, knowledge. The Ray Gun Wing is a celebration of the right angle form… -from the introduction by Judith Russi Kirshner

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  jesuisperdu:

  kyle thurman

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  itwonlast:

  Homage to Fontana II
  Nelson Leirner
  1967

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  helds:

  Rose Marie Cromwell 

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  likeafieldmouse:

  Alicja Kwade - Starlight (2003-4)

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  cinoh:

  Raw Color: Tinctorial Textiles, a commission by Van Eijk & Van der Lubbe for the ABN Amro bank office in Eindhoven. 13 semi-translucent wool curtain panels dyed with natural dyes.

  The term tinctorial relates to most organic dyeing agents categorized by the term in their latin name. The dyes used in this project derive from three plants, madder root – ‘Rubia tinctorum’ for the reddish hues, woad – ‘Isatis tinctoria’ for the blueish hues and reseda – ‘Reseda luteola’ for the yellowish hues. All agents are purely applied in different concentrations to achieve more or less saturation. New shades are created by over-dyeing the fabric with two agents resulting in greens, purples and oranges.

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  bremser:

  Paul Outerbridge, Jr., Favor horn and shell, 1936

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  mpdrolet:

  From Haenyo (Female Divers)
  Ian Baguskas

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  aubreylstallard:

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  aubreylstallard:

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  kllythms:

  Sol LeWitt // Color Grids (1977)

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  endthymes:

  jiro takamatsu, ‘wave’ 1968 

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  nicoonmars:

  Joe.Rock