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Ad Reinhardt, “25 Lines of Words on Art: Statement” (1958) from the Archives of American Art.
Art is art.
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fun little shoot at bario-neal!
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Eva Hesse
Tomorrow’s Apples (5 in White), 1965
Enamel, gouache, varnish, cord and papier mâché on board
654 x 556 x 159 mm -
Robert Barry - It Can Change…, 1970-71
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RUGS RELEASE! THIS SATURDAY AUGUST 17TH AT PRINTED MATTER IN NYC! 5-7PM!
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Kimiko Yoshida, The Kabul Bride, 2005
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Berea College
Pamphlet, 1938 -
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Daniel Shea is looking to travel the next few months to finish a new project. To help cover costs, he’s put some work up for sale on his site.
His stuff is great + you want him to be able to make more of it = grab something = win/win
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Reinier Lagendijk
Zonder Titel (Untitled)
Yucca, soil, clay pot
Variable dimensions
2011 -
Robert Ryman, Stedelijk Museum
“The process of painting itself always determines the success or failure of a painting”
Stedelijk Museum, Amsterdam, 1974
8.3 x 10.6 inches (10 x 21 cm)
SOLD
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Gettysburg Reenactment Drawing No. 7, By Lucas Adams.
This is the final drawing of the series, look here to see the rest!
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“On Tuesday I hung my painting(s) at the Heiner Friedrich gallery in SoHo. Really it’s one painting with 83 parts. Each part is 52 inches by 76 inches and they are all sort of the same except for the colors. I called them “Shadows” because they are based on a photo of a shadow in my office.“ (moderndesign.org) [Warhol at Heiner Friedrich Photo © 1979 Arthur Tress]
Sarah Nance: (I missed you) for twenty-nine years, 2012
silk string, evaporated saltwater, light
115.5 x 177.5 x 153 in.
images | ian clark-
small ceramic weed vase
mike mcdowell, 2013 -
rare limited edition paper plate
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Cy Twombly
Untitled, 1955
Wood, cloth, twin, and house paint
56.5 X 14.3 X 13 cm -
Brick 2011
urethane resin, mylar
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Thinking Outside of the Box, 2013
educational cliché from our youth
the tetons from the back of the rental car/a sun spot seen when leaving the badlands (going west)
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New Hands
Michael Hunter and Carson Fisk-Vittori
http://newhands.info/ -
Christopher Wool - Untitled (P 63), 1988
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image from the book Overlay by Lucy Lippard
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Kim Fisher
Collage Painting (Color Block I), 2012
Oil and aluminum on dyed linen
23" x 18"
“Fabio Mauri. THE END” at Palazzo Reale, Milan, July 4, 2012
Above – I numeri malefici, 1978; and Intellettuale, ”Il Vangelo secondo Matteo” di/su Pier Paolo Pasolini, 1975 - See more at: http://moussemagazine.it/fabio-mauri-the-end/#sthash.TtSttsVV.dpuf
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