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Object & Totem
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Kazimir Malevich Suprematist Composition: White on White :: Tom Friedman 1,000 Hours of Staring
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orange tracks, brooklyn 2013
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Jean-Francois Zevaco, School, Agadir, Morocco
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Minoru Yamasaki, I.B.M. Office Building, Seattle, Washington, 1963
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Hermann Finsterlin, Das Stilspiel (The Style Game), 1921
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Ad Reinhardt, “25 Lines of Words on Art: Statement” (1958) from the Archives of American Art.
Art is art.
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fun little shoot at bario-neal!
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Eva Hesse
Tomorrow’s Apples (5 in White), 1965
Enamel, gouache, varnish, cord and papier mâché on board
654 x 556 x 159 mm -
Robert Barry - It Can Change…, 1970-71
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RUGS RELEASE! THIS SATURDAY AUGUST 17TH AT PRINTED MATTER IN NYC! 5-7PM!
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Kimiko Yoshida, The Kabul Bride, 2005
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Berea College
Pamphlet, 1938 -
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Daniel Shea is looking to travel the next few months to finish a new project. To help cover costs, he’s put some work up for sale on his site.
His stuff is great + you want him to be able to make more of it = grab something = win/win
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Reinier Lagendijk
Zonder Titel (Untitled)
Yucca, soil, clay pot
Variable dimensions
2011 -
Robert Ryman, Stedelijk Museum
“The process of painting itself always determines the success or failure of a painting”
Stedelijk Museum, Amsterdam, 1974
8.3 x 10.6 inches (10 x 21 cm)
SOLD
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Gettysburg Reenactment Drawing No. 7, By Lucas Adams.
This is the final drawing of the series, look here to see the rest!
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“On Tuesday I hung my painting(s) at the Heiner Friedrich gallery in SoHo. Really it’s one painting with 83 parts. Each part is 52 inches by 76 inches and they are all sort of the same except for the colors. I called them “Shadows” because they are based on a photo of a shadow in my office.“ (moderndesign.org) [Warhol at Heiner Friedrich Photo © 1979 Arthur Tress]
Sarah Nance: (I missed you) for twenty-nine years, 2012
silk string, evaporated saltwater, light
115.5 x 177.5 x 153 in.
images | ian clark-
small ceramic weed vase
mike mcdowell, 2013
