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jewist:

La mauvaise éducation, 2004, Pedro Almodóvar
asvossen:
Lucio Fontana Concetto spaziale, Attesa, 1960.
kitty-n-classe:
Sonia Delaunay, 1914
scandinaviancollectors:
ALEXANDER CALDER, Brass and silver bracelets with original handwritten sales inventory, c. 1940s. Image from the book Calder Jewelry, published by Calder Foundation 2007. / Flickr
avtavr:
Alexander Calder’s “Le Guichet,” 1963. Painted steel plate, 22’ w. Lincoln Center for the Performing Arts, New York; gift of Howard and Jean Lipman.
bogdan-marcu:

Bogdan Marcu | Photography

The Endless Column
topcat77:

Josef Albers

Study for Homage to the Square, 1963

Oil on fiberboard
juju-be-art:

Pablo Picasso, L'acrobate bleu, 1929, fusain, huile sur toile, Hauteur : 1.62 m, Largeur : 1.3 m, Paris, Musée Picasso, Paris, Centre Pompidou - Musée national d'art moderne - Centre de création industrielle
drawingdiary:

Alessandro Becchi for Giovannetti “Anfibio” sofa
nemfrog:

“A Shirley Poppy-Showing Reproductive Organs.” Luther Burbank, His Methods and Discoveries and Their Practical Application. 1914.
blueberrymodern:

jack lenor larsen - longhouse
paintedout:

Agnes Martin, Red Bird, 1964
different-folks:

Casa Al Mare, Lina Bo Bardi
www.maryannecasasanta.com
writemeanna:

winter light (1963) dir. by ingmar bergman
maryjopeace:

WILLIE NINJA AND DERRICK LABEIJA | LA VOGUE DU VOGUING | VOGUE PARIS N.696 | MAY 1989 | STRIP-PROJECT | MAY 2017
snowyoghurt:
Glissements progressifs du plaisir/ Alain Robbe-Grillet/ 1974
killyohji:
Issey Miyake by Irving Penn, 1990
shutterstone:

Trust Me, Moyra Davey
weissesrauschen:
gauri gill
womenartistszine:
Senga Nengudi
Nylon Mesh Series
neoyorzapoteca:

Dorothea Lasky
topcat77:

In White and Blue on Grey, 1974
Robert Motherwell
heavenhillgirl:

Betty Blue (1986), dir. Jean-Jacques Beineix
pablos-cruise:

Phil Elverum, Mount Eerie
anamorphosis-and-isolate:
― Mary Is Happy, Mary Is Happy (2013)
“No questions, no answers.”