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Ernst Wilhelm Nay
Untitled, 1968. 19 ½” by 18”, ink, oil/cardboard -
ORGANIC SEEDS, grains, & SPICES painting #1 Whole Foods 20 x 30” x 1”, 2013
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ORGANIC SEEDS, grains, & SPICES painting #1 Whole Foods 20 x 30” x 1”, 2013
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ORGANIC SEEDS, grains, & SPICES painting #1 Whole Foods 20 x 30” x 1”, 2013
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Lucienne Day, furnishing fabric Sunrise, 1969. Great Britain © V&A
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Felix Gonzalez-Torres:“Untitled” (March 5th) #1” Castello di Rivara, Turino, 1991
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Group Swim
Oil on canvas, 72” x 60”, 2004.
(via Katherine Bradford) -
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New work. Playing with texture.
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Ward Schumaker, Pond Garden, 2003
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Paul Jenkins
Phenomena Tarot Over
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Aram Saroyan from “Pages” (1969)
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Aram Saroyan *
The book is a free .pdf (here)
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Shirin Neshat’s “Soliloquy”, 1999
“Since the early 1990s she has travelled frequently to Iran and Soliloquy is a comment on Neshat’s experience of living between two cultures. She has said of the piece, ‘although Soliloquy was not a biographical piece, it is based on my personal experience … those of us living in a state of the “in between” have certain advantages and disadvantages. The advantage of being exposed to a new culture and in my case the freedom that comes with living in the USA. The disadvantages of course being that you will never experience again being in a “center” or quite at “home” anywhere’.”
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“I don’t regret the present. I don’t feel it’s cheap and tawdry compared with the past. I think the past was cheap and tawdry too.” —Thom Gunn, the Art of Poetry No. 72
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website update
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XXXVII
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A screen print of a drawing of my rainy Leeds window…
at least the drought is over. -
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Borges’ self-portrait, drawn after he had gone blind
via viadeiserpenti
Sarah Charlesworth
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=?, 2013
Sculpture -
ken price
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weaving
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Self-portrait, 1972
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S. M. S. (Shit Must Stop), New York City, A Letter Edged in Black Press, 1968; 6 volume Journal/Magazine; Reed College Artists’ Book Collection.
Photo by: Orin Zyvan
