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wesdelval:

Leanne Shapton
punica-granatum-nana:

TONI SPYRA | „VACATION“ | 29 x 11 x 8.5cm | 2013
artistsbooksandmultiples:

bpNichol
Self-contradiction
who-wore-it-better:

Allan Kaprow Yard :: Hannes Bend Reef
jesuisperdu:

taca sui
aubreylstallard:

-
roxaneroxane:

With Shozo Sato on my mind
woolenmilk:

Long Sashimi Plate. Katsue Ibata. Red clay, white slip, partial over glaze. Length: 30 cm. 1994
atelierstella:

Atelier Stella. Little flower lady vase. no.1
nicoonmars:

Robert Moran
hawktrainer:

Object & Totem
in-frame:
who-wore-it-better:

Kazimir Malevich Suprematist Composition: White on White :: Tom Friedman 1,000 Hours of Staring
aubreylstallard:

-
davidbrandongeeting:

orange tracks, brooklyn 2013
archiveofaffinities:

Jean-Francois Zevaco, School, Agadir, Morocco
archiveofaffinities:

Minoru Yamasaki, I.B.M. Office Building, Seattle, Washington, 1963
nicoonmars:

margaret durow
archiveofaffinities:

Hermann Finsterlin, Das Stilspiel (The Style Game), 1921
msavignon:

Ad Reinhardt, “25 Lines of Words on Art: Statement” (1958) from the Archives of American Art.

Art is art.
roxanaazar:

fun little shoot at bario-neal!
etceterablog:

Eva Hesse
Tomorrow’s Apples (5 in White), 1965
Enamel, gouache, varnish, cord and papier mâché on board
654 x 556 x 159 mm
atavus:

Robert Barry - It Can Change…, 1970-71
miniaturegarden:

RUGS RELEASE! THIS SATURDAY AUGUST 17TH AT PRINTED MATTER IN NYC! 5-7PM!
clear-glass:

Kimiko Yoshida, The Kabul Bride, 2005