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Shirin Neshat’s “Soliloquy”, 1999
“Since the early 1990s she has travelled frequently to Iran and Soliloquy is a comment on Neshat’s experience of living between two cultures. She has said of the piece, ‘although Soliloquy was not a biographical piece, it is based on my personal experience … those of us living in a state of the “in between” have certain advantages and disadvantages. The advantage of being exposed to a new culture and in my case the freedom that comes with living in the USA. The disadvantages of course being that you will never experience again being in a “center” or quite at “home” anywhere’.”
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“I don’t regret the present. I don’t feel it’s cheap and tawdry compared with the past. I think the past was cheap and tawdry too.” —Thom Gunn, the Art of Poetry No. 72
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website update
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XXXVII
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A screen print of a drawing of my rainy Leeds window…
at least the drought is over. -
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Borges’ self-portrait, drawn after he had gone blind
via viadeiserpenti
Sarah Charlesworth
Ling Meng - Magnetism (2010)
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=?, 2013
Sculpture -
ken price
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weaving
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Self-portrait, 1972
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S. M. S. (Shit Must Stop), New York City, A Letter Edged in Black Press, 1968; 6 volume Journal/Magazine; Reed College Artists’ Book Collection.
Photo by: Orin Zyvan -
S. M. S. (Shit Must Stop), New York City, A Letter Edged in Black Press, 1968; 6 volume Journal/Magazine; Reed College Artists’ Book Collection.
Photo by: Orin Zyvan -
Untitled (Silueta Series, Mexico), 1976. “Mendieta formed a silueta on the beach at La Ventosa, Mexico, filling it with red tempera that was ultimately washed away by the ocean waves. The artist documented the obliteration of the figure by the tide in a sequence of 35 mm slides.”
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Irving Penn
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Comme des Garçons, 1988
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Shuji Tanase, 1983
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fv6:
Ettore Sottsass
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dragon fruit and liquorice for Alla Carta 2
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