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aubreylstallard:

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kllythms:

Sol LeWitt // Color Grids (1977)
endthymes:

jiro takamatsu, ‘wave’ 1968
nicoonmars:

Joe.Rock
jesuisperdu:

christopherschreck:

I was recently commissioned to write an essay contextualizing Ethan Cook’s woven canvas paintings; you can read it here:

http://www.christopherschreck.com/essentialunifiedprocess

Love Ethan 🌞🌞🌞
aubreylstallard:

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mpdrolet:

Eduardo Izquierdo
iamnomes:
gottlund:

scan from Wolfgang Tillmans, Manual
fv6:

Marie Lund
cavetocanvas:

Sophie Calle, Exquisite pain, 26 days to unhappiness (buddha with no head), 1984/99
Gerhard Richter
contemporaryartdaily:

Karla Black at Institute of Contemporary Art
ccczzznnn:

Luigi Ghirri
weed-craft:

B thom Stevenson
mpdrolet:

Bedelaar, Pakistan, 1947-1953

Charles Breijer
In there somewhere
thejogging:

Projecting a slide naturally, 2013

slide from my grandparents trip to Brazil in 1977, sun

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jesuisperdu:

mike kelley
b22-design:

Henri Matisse - studio at the Chapelle du Rosaire in Vence - French Riviera
mpdrolet:

Brian Vu
poemusicoffee:

Alyson Provax - Time Wasting Experiment (2011)
cinoh:

Eye idol

Period: Middle Uruk

Date: ca. 3700-3500 B.C.

Geography: Syria, Tell Brak

Medium: Gypsum, alabaster

Dimensions: 2 7/8 x 2 x ¼ in. (7.3 x 5.2 x 0.7 cm)

Classification: Stone

Provenance: 1937-38, excavated by Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1951, gift of the Institute of Archaeology, University College London.
sisterwife:

Walking Drawings Across the Estuaries
fv6:

Bea De Giacomo
7while23:

Phillip Low
sounddoe:

Elad Lassry