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  littlebrownmushroom:

  Former gas station. Bloomington, Minnesota.

  “Only to the extent that we expose ourselves over and over to annihilation can that which is indestructible in us be found.” — Pema Chödrön

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  aubreylstallard:

  —-

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  aubreylstallard:

  -

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  archivvve:

  john baldessari

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  blueberrymodern:

  
  Early work by Edith Heath from the 1940’s (at Heath Ceramics)

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  cinoh:

  Laure Albin-Guillot. French, 1931. (1892 -1962).

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  blueberrymodern:

  Heidi Lerkenfeldt - Copenhagen

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  magical-contamination:

  XXXIII

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  christopherschreck:

  Kate Owens

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  life:

  In 1954, LIFE’s Nat Farbman made a series of photos of some enterprising (and entertaining) cats on a dairy farm near Fresno, California. 

  (Photo: Nat Farbman—Time & Life Pictures/Getty Images)

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  mpdrolet:

  Jo Metson Scott
  

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  antoniogonzalezart:

  Ernst Wilhelm Nay
  Untitled, 1968. 19 ½” by 18”, ink, oil/cardboard
  

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  thejogging:

  ORGANIC SEEDS, grains, & SPICES painting #1 Whole Foods 20 x 30” x 1”, 2013

  «««

  BUY IT ON ETSY NOW

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  thejogging:

  ORGANIC SEEDS, grains, & SPICES painting #1 Whole Foods 20 x 30” x 1”, 2013

  «««

  BUY IT ON ETSY NOW

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  thejogging:

  ORGANIC SEEDS, grains, & SPICES painting #1 Whole Foods 20 x 30” x 1”, 2013

  «««

  BUY IT ON ETSY NOW

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  design-is-fine:

  Lucienne Day, furnishing fabric Sunrise, 1969. Great Britain © V&A

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  rifles:

  Felix Gonzalez-Torres:“Untitled” (March 5th) #1” Castello di Rivara, Turino, 1991

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  longhairshorttemper:

  Group Swim
  Oil on canvas, 72” x 60”, 2004.
  
  (via Katherine Bradford)

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  esthergriffith:

  New work. Playing with texture.

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  artspotting:

  Ward Schumaker, Pond Garden, 2003

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  obrave:

  Paul Jenkins

  Phenomena Tarot Over

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  cinoh:

  Aram Saroyan from “Pages” (1969)

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  cinoh:

  Aram Saroyan *

  The book is a free .pdf (here)

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  seensense:

  Shirin Neshat’s “Soliloquy”, 1999

  “Since the early 1990s she has travelled frequently to Iran and Soliloquy is a comment on Neshat’s experience of living between two cultures. She has said of the piece, ‘although Soliloquy was not a biographical piece, it is based on my personal experience … those of us living in a state of the “in between” have certain advantages and disadvantages. The advantage of being exposed to a new culture and in my case the freedom that comes with living in the USA. The disadvantages of course being that you will never experience again being in a “center” or quite at “home” anywhere’.”

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  theparisreview:

  “I don’t regret the present. I don’t feel it’s cheap and tawdry compared with the past. I think the past was cheap and tawdry too.” —Thom Gunn, the Art of Poetry No. 72