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in-frame:
who-wore-it-better:

Kazimir Malevich Suprematist Composition: White on White :: Tom Friedman 1,000 Hours of Staring
aubreylstallard:

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davidbrandongeeting:

orange tracks, brooklyn 2013
archiveofaffinities:

Jean-Francois Zevaco, School, Agadir, Morocco
archiveofaffinities:

Minoru Yamasaki, I.B.M. Office Building, Seattle, Washington, 1963
nicoonmars:

margaret durow
archiveofaffinities:

Hermann Finsterlin, Das Stilspiel (The Style Game), 1921
msavignon:

Ad Reinhardt, “25 Lines of Words on Art: Statement” (1958) from the Archives of American Art.

Art is art.
roxanaazar:

fun little shoot at bario-neal!
etceterablog:

Eva Hesse
Tomorrow’s Apples (5 in White), 1965
Enamel, gouache, varnish, cord and papier mâché on board
654 x 556 x 159 mm
atavus:

Robert Barry - It Can Change…, 1970-71
miniaturegarden:

RUGS RELEASE! THIS SATURDAY AUGUST 17TH AT PRINTED MATTER IN NYC! 5-7PM!
clear-glass:

Kimiko Yoshida, The Kabul Bride, 2005
sarahbaugh:

Berea College
Pamphlet, 1938
humanextractions:

Michel Folco

Michel Folco used to go every day to the booth located in Lyon train station, to collect abandoned photobooth portraits, then carefully piecing them together and preserving them, specifying the location, date, and even the time of their discovery, give them a new identity. Folco classifies them by theme in an album, serving as inspiration for the character of Nino in Jean-Pierre Jeunet’s 2001 film Amélie.
christopherschreck:

Daniel Shea is looking to travel the next few months to finish a new project. To help cover costs, he’s put some work up for sale on his site.

His stuff is great + you want him to be able to make more of it = grab something = win/win

http://danielpshea.com/information/books—prints
art-blag:

Reinier Lagendijk
Zonder Titel (Untitled)
Yucca, soil, clay pot
Variable dimensions
2011
karmakarmanyc:

Robert Ryman, Stedelijk Museum

“The process of painting itself always determines the success or failure of a painting”

Stedelijk Museum, Amsterdam, 1974

8.3 x 10.6 inches (10 x 21 cm)

SOLD
believermag:

Gettysburg Reenactment Drawing No. 7, By Lucas Adams.

This is the final drawing of the series, look here to see the rest!
installator:

“On Tuesday I hung my painting(s) at the Heiner Friedrich gallery in SoHo. Really it’s one painting with 83 parts. Each part is 52 inches by 76 inches and they are all sort of the same except for the colors. I called them “Shadows” because they are based on a photo of a shadow in my office.“ (moderndesign.org) [Warhol at Heiner Friedrich Photo © 1979 Arthur Tress]
myampgoesto11:

Sarah Nance: (I missed you) for twenty-nine years, 2012

silk string, evaporated saltwater, light
115.5 x 177.5 x 153 in.
images | ian clark
mudpuppyceramicstudio:

small ceramic weed vase
mike mcdowell, 2013
canadianslut:

rare limited edition paper plate