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Robert Redford
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(paint on ceramic)
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house chair edit, 2013
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Gary Snyder, in Poetry (via poetrysince1912)
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Dieter Roth, Wait later this will be nothing
“You are invited to an Ending”
Museum of Modern Art, New York, 2013
10” x 8” (25.4 x 20.32 cm)
$40 Purchase
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Dear Photograph,
Mom looks beautiful on her steps in the 70s!
Marko -
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outtake 2, 2013
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george harrison in india
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Ellsworth Kelly - Oranges, from Suite of Plant Lithographs, 1965-66
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works by fabian seiz.
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Richard Tuttle
44th Wire Piece
1972
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scan at 100%, 2013
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Abstract Monuments (1-6), 2013
Photographs of the back sides of gravestones.
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Color In Full
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“In 1962, Gene Bernofsky, Jo Ann Bernofsky and Clark Richert were students at the University of Kansas in Lawrence. Gene and Clark developed a concept they called “Drop Art”. “Dropping” artworks from the rooftop of a loft space in Lawrence, they were making art a spontaneous part of everyday life in the face of a society they saw as increasingly materialistic and war-mongering. In 1965, they bought a small piece of land near Trinidad, Colorado and ?called their settlement Drop City. They were soon joined by other artists, writers and inventors, and they started building a community that celebrated creative work.
Drop City’s dazzling structures were based on Buckminster Fuller’s geodesic domes and the crystalline designs of Steve Baer, a pioneer in geometric structure and solar energy. The Droppers had little building experience, but they were full of ingenuity and exuberance. Drop City became a lab for experimental building and and inspired a generation of alternative communities…
Drop City, a new documentary, screenings, as part of:
Architecture on Film, July 9, 2013, 7pm, The Architecture Foundation, London
West of Center: Art and the Counterculture Experiment in America, 1965 1977, July 10, 2013, 7pm, Mills College Art Museum, Oakland”[via manystuff]
Zbigniew Warpechowski - Rysunek w kącie (Drawing in the Corner), 1971
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Betty Woodman
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Max Zerrahn
