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  aubreylstallard:

  .

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  aubreylstallard:

  .

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  kllythms:

  Sol LeWitt // Color Grids (1977)

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  endthymes:

  jiro takamatsu, ‘wave’ 1968 

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  nicoonmars:

  Joe.Rock 

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  jesuisperdu:

  christopherschreck:

  I was recently commissioned to write an essay contextualizing Ethan Cook’s woven canvas paintings; you can read it here:

  http://www.christopherschreck.com/essentialunifiedprocess

  Love Ethan 🌞🌞🌞

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  aubreylstallard:

  .

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  mpdrolet:

  Eduardo Izquierdo

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  iamnomes:

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  gottlund:

  scan from Wolfgang Tillmans, Manual

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  fv6:

  Marie Lund

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  cavetocanvas:

  Sophie Calle, Exquisite pain, 26 days to unhappiness (buddha with no head), 1984/99 

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  Gerhard Richter

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  contemporaryartdaily:

  Karla Black at Institute of Contemporary Art

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  ccczzznnn:

  Luigi Ghirri

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  weed-craft:

  B thom Stevenson

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  mpdrolet:

  Bedelaar, Pakistan, 1947-1953

  Charles Breijer

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  In there somewhere

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  thejogging:

  Projecting a slide naturally, 2013

  slide from my grandparents trip to Brazil in 1977, sun

  »

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  jesuisperdu:

  mike kelley

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  b22-design:

  Henri Matisse - studio at the Chapelle du Rosaire in Vence - French Riviera

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  mpdrolet:

  Brian Vu

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  poemusicoffee:

  Alyson Provax - Time Wasting Experiment (2011)

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  cinoh:

  Eye idol

  Period: Middle Uruk

  Date: ca. 3700-3500 B.C.

  Geography: Syria, Tell Brak

  Medium: Gypsum, alabaster

  Dimensions: 2 7/8 x 2 x ¼ in. (7.3 x 5.2 x 0.7 cm)

  Classification: Stone

  Provenance: 1937-38, excavated by Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1951, gift of the Institute of Archaeology, University College London.

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  sisterwife:

  Walking Drawings Across the Estuaries

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  fv6:

  Bea De Giacomo

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  7while23:

  Phillip Low