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rapp (via the third row)
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hermine van dijck
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Day 1: Waves
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kristina lee
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Installation view of Sharon Hayes: There’s so much I want to say to you, on view at the Whitney Museum of American Art June 21–September 9, 2012. Photograph by Sheldan C. Collins
Kveikur
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Seminar on “Culturally Impossible Architecture”, Montericco Quarry, Monselice, Italy 1975
Hebron NH 2013,
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Nancy Desmond
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L.A., 2013N.G.
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Sculptural industrial design by furniture designer Angelo Mangiarot.
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Sarah Ugibar
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From Change of Course
Prasiit Sthapit
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“The real question of life after death isn’t whether or not it exists but, even if it does, what problem this really solves.”
― Ludwig Wittgenstein 
kustaa saksi
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R.Buckminster Fuller | Envisioning Architecture (MoMA, New York, 2002)| 1927: 64 | RNDRD
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Laura Betti in ‘Teorema’, 1968
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Theo van Doesburg, Composition en dissonances, 1918.
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Two dissected reindeer eyes, showing the tapetum lucidum. The left one comes form an animal killed in winter; the right one, in summer. The bit that actually changes colour is the tapetum lucidum or “cat’s eye”—a mirrored layer that sits behind the retina. It helps animals to see in dim conditions by reflecting any light that passes through the retina back onto it. In dark conditions, muscles in your irises contract to dilate your pupils and allow more light into your eyes. When it’s bright again, the irises widen and the pupils shrink. The same thing happens in reindeer, but the interminable Arctic winter forces their pupils dilate for months rather than hours.
Photo credit: Glen Jeffrey
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George Kershaw
Valentine (Blue and White Vase with Flowers)
1850
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oscillationindigo: margaret de patta, 1948
