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  aroseisaroseisarose:

  Alfred Hitchcock directing John Gavin and Janet Leigh during the filming of Psycho (1960)

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  (Anonymous). Cabala. The Manly P. Hall Collection of Alchemical Manuscripts, Box 17. 1700s.

  via workman:

  magictransistor:

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  weissesrauschen:

  Manfred Mohr, P135, 1973, plotter drawing

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  installator:

  (via kingstitt)

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  stlara:

  voilée | agata rudko by billy nava for schön! magazine, oct 13

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  the-drawing-center:

  CLOSING SOON! 

  Don’t forget to stop by The Drawing Center to see our current exhibitions. Drawing Time, Reading Time,  Dickinson/Walser:Pencil Sketches, and William Engelen: Falten will close this Sunday, January 12th.

  Drawing Time, Reading Time  features an international group of artists spanning the 1960s to today, all of whom are engaged in exploring the relationship between drawing and writing as distinct yet interrelated gestures. Dickinson/Walser: Pencil Sketches brings together Emily Dickinson’s original poem manuscripts and Robert Walser’s microscripts for the first time in an art museum setting. William Engelen’s latest works, Falten [Folds], is an exhibition of a new series of musical scores for percussion by the Berlin-based artist.

  Image: Mirtha Dermisache, Diario N° Año 1,1972. Ink on Paper,18 5/8 x 14 3/8 inches (page 4 of 8). Courtesy Henrique Faria Fine Art, New York.

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  aroseisaroseisarose:

  Jean Tinguely, Milan, 1970, Lothar Wolleh

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  01100011011011110110010001100001:

  μυστήριον

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  aqqindex:

  Ettore Sottsass, Ring

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  cactuslands:

  Kati Gegenheimer 

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  currentinspiration:

  “In 1968 the Canadian Broadcasting Corporation shot a special for a national Sunday afternoon arts program at Intermedia. Intermedia members were invited to perform various works for the program. Here Gathie Falk (second from left) performs Skipping Rope with L-R: Evelyn Roth, Dennis Vance, Unknown Gerry Gilbert, Glenn Allison, Anna Gilbert,Glenn Lewis." 

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  mpdrolet:

  Anke having a smoke, Hamburg, 2005

  Maarit Hohteri

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  american-idolatry:

  Vogue Paris | February 2001
  “Noir Blanc” by Mario Testino

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  kirafedorova:

  Марк Хаген (Mark Hagen) | 1972

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  nearlya:

  Leonard Brown. These rocks, a few burnt pines, an abandoned chapel and further above the same landscape repeated again. George Seferis,  2005, oil on Belgian linen

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  leslieseuffert:

  Linn Wie[Copenhagen Graphic Designer]

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  leslieseuffert:

  James Turrell (b. 1943 Los Angeles) “Aten Reign”

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  mpdrolet:

  The Improvised Winter Jacket, 2010

  Steven Brahms

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  aubreylstallard:

  —-

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  jacobwren:

  Marcel Broodthaers

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  amamblog:

  In honor of International Women’s Day, did you know that the AMAM houses the archives for one of the most-celebrated female artists of the 20th century, Eva Hesse? The AMAM was the first museum to purchase a sculpture, Laocoön, by Hesse, in 1970. In gratitude for its recognition of Hesse’s work, and following the artist’s untimely death, her sister Helen Hesse Charash generously donated the artist’s notebooks, diaries, sketchbooks, photographs, and letters to the museum. These are preserved for research, teaching and exhibition; scholars wishing to view this material may make an appointment in the museum’s Print Study Room.
  
  Image:

  Photograph of Eva Hesse, c. 1965
  Eva Hesse Archive
  Gelatin silver print
  Overall: 10 1/16 x 7 15/16 in. (256 x 202 mm)
  Gift of Helen Hesse Charash
  AMAM 1977.52.72.12

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  allofitishangingout:

  Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta Alicia Nauta 

  http://klassickoolshoppe.blogspot.ca/
  
  so good

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  bamboochalet:

  Constantin Brancusi  The Head, 1920-1992 

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  thefinalact:

  Love in the Afternoon (1972) 

  Eric Rohmer

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  editionsmultiplesandartistbooks:

  This poster was made for an exhibition I curated at Galerie West in Den Haag. The poster was designed by Mylinh Nguyen. The sentence is a slogan from time standardization resistance in the United States. The back shows a lady in San Francisco standing in front of a public sundial.  The poster is available here.