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  bartleby-company:

  Ramunas Danisevicius

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  victoriaamazonica:

  tauba auerbach.

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  cinoh:

   images via the José Vial Armstrong historical archives @ Escuela de Arquitectura y Diseño PUVC via an ambitious project…

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  emilyburtner:

  made a spooky glass eyeball at work a few weeks ago and it finally got fired.

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  archive-club:

  Issey Miyake A.POC blouse and gloves

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  grupaok:

  When Attitudes Become Form, Kunsthalle Bern, 1969 — Lawrence Weiner installing A 36″ x 36″ REMOVAL TO THE LATHING OR SUPPORT WALL OF PLASTER OR WALLBOARD FROM A WALL, 1968. Or, supposedly he was. Actually the piece was already done and he was pretending.
  

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  wockawock:

  (via Objects & Multiples — Large glazed Pyramid Planter)

   Large glazed Pyramid Planter

  Cody Hoyt

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  muttonheadcollective:

  sethfluker We love your photos!

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  julianminima:

  Richard Tuttle

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  Wolfgang Tillmans

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  krgkrg:

  Work by Richard Tuttle

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  daviddelruelle:

  The Windows

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  aktionsartrx:

  Tacita Dean, The Book End of Time, 2013
  Hand-printed black and white fibre-based photograph
  20 x 24”
  6 of 6 AP

  Estimate $7,500 on Paddle8

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  icancauseaconstellation:

  Robert Longo

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  avivajazz:

  rhapsodical:

  Helen Frankenthaler

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  teenage-hoodlum:

  Paolo Fusco - Fiori 24h

  Artist’s statement:

  “Hardly anything is open 24h in Rome: a few bars, a few stores, self service gas stations and flower kiosks, a lot of flower kiosks. You can find them everywhere in the city and they never close. They never close. Their presence has always fascinated me, they seem like sentinels in the quiet roman night, small lighthouses populated by half-asleep immigrant workers. The photos were taken while wondering through the city in search of these islands of light and flowers.”

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  verylargebuildings:

  Roger Brown

  Weather Map, 1981

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  design-is-fine:

  Ettore Sottsass, Enamelled copper vases on wooden base, 1958. courtesy Museo Casa Mollino

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  aubreylstallard:

  —-

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  mpdrolet:

  Maryanne Casasanta

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  lafilleblanc:

  Brandon Jan Blommaert

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  contemporaryartdaily:

  Wolfgang Tillmans at Atelier de Chaudronnerie

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  mpdrolet:

  Standing stones of Dalmatia, 1933

  Raoul Ubac

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  sugarmeows:

  Willow sound sculpture (1970) – Harry Bertoia

  From Wright20

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  ruinsorbooks:

  weaving from Finnish artist Kustaa Saksi 

  via It’s Nice That

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  24four:

  Yves Klein- Le Vide- 1958- Galerie Iris Clert, Paris

  “Yet, to the very degree that Klein recognized that a modernist aesthetic of spiritual or empiro-critical autonomy had failed, he incessantly questioned the fate of these aspirations once the culture of spectacle took over the spaces of the avant-garde. Therefore, Klein could not simply deliver the legacies of abstraction without making the persistence of abstraction’s spiritual after-life evident—after all, the death of painting was one of infinite deferral—an afterlife of uncanny returns, now paradoxically bound up with the new order governing visuality.”

  -Benjamin Buchloh in “Plenty or Nothing: From Yves Klein’s Le Vide to Arman’s Le Plein.”