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Ken Price
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Jean-Michel Basquiat
Untitled (1987-1988)
Having fun in the studio.
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Jennifer Coyne Qudeen
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George Rickey, Two Open Rectangles Excentric Gyratory VI (triangular section), 1997-1998
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“I called again—every few minutes, then every minute—but Bill wouldn’t answer. In the end, he was the same as Lilly, same as everyone. People who did not respect the covenant of human relationships. People who believed you could just hang up, walk out. When the Stoli ran dry, I fetched my Bushmaster, threw it behind the bench seat of my truck, and headed north.”
Read an excerpt from Luke Mogelson’s story “To the Lake.”
Photography: Kristoffer Axén. 
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MARTIN CREED
Work No. 227
The lights going on and off / 2000
5 seconds on / 5 seconds off
MOMA, New York, 2007 -
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Sunrise at Ur, capitol of ancient Sumer.
National Geographic - December, 1966
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From Bombs
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The Memphis Group, led by Ettore Sottsass, 1981.
It was the most influential postmodern design group, partly because so many people were involved, partly because it became a media phenomenon when it was launched in Milano, Italy.
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Jackie Nickerson
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N. E. THING CO. | A Portfolio of Piles
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PABLO PICASSO LA FEMME AU FAUTEUIL Lithograph printed in colors, 1947
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“The Moon of Israel” (1924) The Red Sea was parted by filming 25,000 thousand gallons of water flowing over the plaster walls and running the film in reverse.
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Isaac Brest @ Rodolphe Janssen in Brussels
Astrophotography from 1908 — 1919
Image courtesy: Yerkes Observatory, Royal Observatory of Greenwich, Mount Wilson Observatory
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Renato Ranaldi - Fuoriquadro 18, 2010
acrylic on canvas
42 × 35 in / 106.7 × 88.9 cm
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pium:
YOHJI YAMAMOTO AW13 GLOVES
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test_print
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Dan Flavin - icon V (Coran’s Broadway Flesh), 1962, Oil on cold gesso on Masonite, porcelain receptacles, pull chains, and clear incandescent “candle” bulbs. 31 5/8 x 31 5/8 x 9 7/8 inches (80.5 x 80.5 x 25.1 cm) including fixtures and lamps
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