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  aestheticanxiety:

  DAVID HAMMONS

  THE ART AUDIENCE IS THE WORST AUDIENCE IN THE WORLD. IT’S OVERLY EDUCATED, IT’S CONSERVATIVE, IT’S OUT TO CRITICIZE NOT TO UNDERSTAND, AND IT NEVER HAS ANY FUN. WHY SHOULD I SPEND MY TIME PLAYING TO THAT AUDIENCE?

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  thinkingimages:

  
  Piero Manzoni, Achrome 

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  boxforstanding:

  selected corners, 2012

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  publiccollectors:

  Home Freezing of Fruits and Vegetables, Home and Garden Bulletin Number 10, a booklet published in 1978 by the United States Department of Agriculture.

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  hoodoothatvoodoo:

  Erwin Blumenfeld

  ‘Lilli Palmer and Rex Harrison’

  For Vogue 1950

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  germinated:

  Lygia Clark, Planes in Modulated Surface 4, 1957

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  blushingcheekymonkey:

  issey miyake

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  thinkingimages:

  Gabriel Orozco, Yielding Stone, 1993. Plasticine, approx. 14” x 17” x 17”

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  anticipatedstranger:

  Andre Breton

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  cinoh:

  Nebuleuse de la Lyre

  Paul Henry (French, 1848–1905)

  Artist : Prosper Henry (French, 1849–1903)

  Date : ca. 1885

  Medium : Albumen silver print from glass negative

  Dimensions : Image : 22.8 x 16.4 cm. (9 x 6 7/16 in.)

  Classification:Photographs

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  1109-83:

  In 1962 the Dutch Fluxus artist, Wim T. Schippers, emptied a bottle of Green Spot lemonade in the sea. The beach was filled with press, filming this small gesture. He managed to make it an international news item.

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  respectthearchitect:

  piotr niepsuj on instagram

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  light on light

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  loverofbeauty:

  Azim Haydaryan: Morrocco

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  Bruno Munari

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  weissesrauschen:

  Sigmar Polke

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  totokaelo:

  Natsumi Zama

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  aubreylstallard:

  Nate Lowman

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  cinoh:

  Ana Mendieta, Untitled Blatt leaf

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  confront:

  Matt Magee, Conduit, 2011

  Oil on panel.

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  oooooooof:

  likeafieldmouse:

  Francis Alys - Sometimes Making Something Leads to Nothing (1997)

  always important

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  greatartinuglyrooms:

  Helen Frankenthaler