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  poetryconcrete:

  Vernacular architecture of Cappadocia, photography by Marc Riboud, 1955, in Cappadocia, Turkey.

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  madburlesque:

  Roland Barthes, from Complete Works: 1942 - 1961; “Roland Barthes”
  

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  magictransistor:

  Venus

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  sixalien:

  Tranquility

  Dominick Labino
  

  1971

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  yasisalek:

  Marcel Duchamp to an interviewer in 1964, also me to anyone who asks “so what do you do?” at a party jk I don’t go to parties

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  redlipstickresurrected:

  Shōmei Tōmatsu aka 東松照明 (Japanese, 1930-2012, b. Aichi, Nagoya, Japan) - Okinawa, 1976-1980 (Aperture, 2014)  Photography

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  cinemove:

  Chungking Express (1994) dir. Wong Kar Wai

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  adreciclarte:

  Frédéric Huijbregts - Tolagnaro Region, Madagascar

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  gdbot:

  Photo http://ift.tt/2qyAtjy

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  thinkingimages:

  Hoppla ! 1988 | Anne Teresa De Keersmaeker
  

  Impossible cohabitation on Bartok’s “Mikrokosmos” : he, a living Giacometti and her, twirling, fluid, a bit rebel in Gand’s austere library.
  

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  todrawistobehuman:

  Nam June Paik

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  miniwilderness:

  Helen Frankenthaler
  

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  strathshepard:

  Ruth Asawa, 1952

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  apeninacoquinete:

  Kenneth Noland Orange and blue octuple, 1962. Acrylic on canvas.

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  at Kyoto, Japan

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  fashiion-gone-rouge:

  Ann Demeulemeester 1999

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  communicants:

  Diary of a Shinjuku Thief (Nagisa Oshima, 1969)

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  amalgammaray:

  Richard Tuttle, Rollers, 1970s

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  jewist:

  La mauvaise éducation, 2004, Pedro Almodóvar

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  asvossen:

  Lucio Fontana Concetto spaziale, Attesa, 1960.

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  kitty-n-classe:

  Sonia Delaunay, 1914
  

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  scandinaviancollectors:

  ALEXANDER CALDER, Brass and silver bracelets with original handwritten sales inventory, c. 1940s. Image from the book Calder Jewelry, published by Calder Foundation 2007. / Flickr

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  avtavr:

  Alexander Calder’s “Le Guichet,” 1963. Painted steel plate, 22’ w. Lincoln Center for the Performing Arts, New York; gift of Howard and Jean Lipman.

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  bogdan-marcu:

  Bogdan Marcu | Photography

  The Endless Column