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✖Twombly, 1981
Peter Friedl, ‘5 bis 6 Amazonaskrokodile’, 1990
Luigi Ghirri, Atelier Morandi, Grizzana, 1989-90
Hiroshi Sugimoto at Palais de Tokyo
detail
pranidhana
(let go)
Aphra Natley, 2014
Touki Bouki (1973), dir. Djibril Diop Mambety
Robert Barry, ‘Closed Gallery Piece’, 1969
From Yamagata, 2002
Michael Danner
by joe_silveira
L’amour existe, 1960, Maurice Pialat
Throw Away Your Books, Rally in the Streets (Shûji Terayama, 1971)
Thomas Downing (American, 1928 - 1985)
Saranac, 1971
Oil on canvas
29 x 30 x inches
Blue tape, New York City, 2014
beautiful frida
by brunozhu
Pablo Picasso, Wood Owl Woman
Harun Farocki, The Words of the Chairman (Die Worte des Vorsitzenden), 1967. 16mm, 3 minutes.
e-flux has just posted a beautifully written tribute to Harun Farocki by Hito Styerl.
Over more than four decades, Farocki produced an extraordinary body of work that, for someone who continuously compared things, situations, and images to one another, is paradoxically incomparable. In all he did, he kept it simple, clear, and grounded. In cinematic terms: at eye level. His legacy spans generations, genres, and geographies. And the abundance of ideas and perspectives in his work does not cease to inspire. It trickles, disseminates, perseveres.
To read more, click here.
In Bunker Archeology, by Paul Virilio.
Helen Frankenthaler
(untitled), jeremy jansen, 2013
copper cole, toronto
light study on Flickr.
Joan Saló
Germany
Tony Matelli, Untitled, 2010
(via Berta Pfirsich)
R.I.P. Donatas Banionis (28 April, 1924 – 4 September, 2014)
=[[[[[[[[[ solaris is one of the perfect ones
“Maybe the finest art is the objet trouvé inside books; small objects stumbling the reading.” Submitted by CC.
From the front matter of Dictionaire des Sciences Médicales (1819). Original from Austrian National Library. Digitized March 14, 2014.
Ellsworth Kelly in his studio at Coenties Slip, New York, 1958