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Hiroshi Sugimoto at Palais de Tokyo
detail
pranidhana
(let go)
Aphra Natley, 2014
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Touki Bouki (1973), dir. Djibril Diop Mambety
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Robert Barry, ‘Closed Gallery Piece’, 1969
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From Yamagata, 2002
Michael Danner
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by joe_silveira
L’amour existe, 1960, Maurice Pialat
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Throw Away Your Books, Rally in the Streets (Shûji Terayama, 1971)
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Thomas Downing (American, 1928 - 1985)
Saranac, 1971
Oil on canvas
29 x 30 x inches -
Blue tape, New York City, 2014
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beautiful frida
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by brunozhu
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Pablo Picasso, Wood Owl Woman
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Harun Farocki, The Words of the Chairman (Die Worte des Vorsitzenden), 1967. 16mm, 3 minutes.
e-flux has just posted a beautifully written tribute to Harun Farocki by Hito Styerl.
Over more than four decades, Farocki produced an extraordinary body of work that, for someone who continuously compared things, situations, and images to one another, is paradoxically incomparable. In all he did, he kept it simple, clear, and grounded. In cinematic terms: at eye level. His legacy spans generations, genres, and geographies. And the abundance of ideas and perspectives in his work does not cease to inspire. It trickles, disseminates, perseveres.
To read more, click here.
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In Bunker Archeology, by Paul Virilio.
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Helen Frankenthaler
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(untitled), jeremy jansen, 2013
copper cole, toronto -
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light study on Flickr.
Joan Saló
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Tony Matelli, Untitled, 2010
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(via Berta Pfirsich)
R.I.P. Donatas Banionis (28 April, 1924 – 4 September, 2014)
=[[[[[[[[[ solaris is one of the perfect ones
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“Maybe the finest art is the objet trouvé inside books; small objects stumbling the reading.” Submitted by CC.
From the front matter of Dictionaire des Sciences Médicales (1819). Original from Austrian National Library. Digitized March 14, 2014.
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Ellsworth Kelly in his studio at Coenties Slip, New York, 1958
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Luigi Ghirri, Monticelli terme, 1987
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Mark Rothko
