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  artspotting:

  Vivian Maier,

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  vjeranski:

  Preben Dahl; Enameled Metal Ceiling Light for Hans Flosgaard, 1962.

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  northmagneticpole:

  -

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  likeafieldmouse:

  Jim Mangan - Time of Nothing - The Great Salt Lake, Utah

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  alexebstein:

  Alex Ebstein - Stretching Specters
  After Image
  Loyal Gallery, Stockholm

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  digitalcatalogue:

  Bruce Nauman: A Cast of the Space under My Chair, 1965-8

  (concrete, 45 x 39 x 37 cm, image: Phaidon)

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  josephconiff:

  Marcius Galan

  Isolante (tenso)

  painted iron, concrete, nail

  160 x 40 x 80 cm

  2011

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  Basil Blackshaw, Two Trees, 1969

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  societalvengeance:

  from jacques penry’s guide to facial identification - ‘looking at faces and remembering them’

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  osmaharvilahti:

  POOL 2, BOBO DIOULASSO, 2014

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  weissesrauschen:

  unbenannt by vavoir on Flickr.

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  lafilleblanc:

  Alexander Calder

  The Forest is the best Place, 1945

  (via)

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  uutpoetry:

  On American Metamodernism (Contemporary Poetry Reviews #26)
  Seth Abramson, huffingtonpost.com

  Each edi­tion in this series selects recent poet­ry col­lec­tions to rec­om­mend. These col­lec­tions are drawn from a pool of more than two thou­sand books of sup­plied and already-held con­tem­po­rary poet­ry. A full list of books reviewed an…

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  lostinpublications:

  Speak Italian: The Fine Art of the Gesture by Bruno Munari

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  blueberrymodern:

  rose cabat

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  etceterablog:

  Claude Monet
  Vétheuil dans le brouillard, c. 1908
  lithograph

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  space–age:

  imapython:

  bieg:

  albino sea turtle

  i think u mean soul of the ocean

  •indie•

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  vardaagnes:

  Your hiding place isn’t watertight. Life trickles in everywhere, and you’re forced to react. No one asks if it’s true, if you’re genuine or false. Such questions matter only in the theatre, and hardly there either. 

  Persona | dir. Ingmar Bergman (1966)

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  Conflicts and Transformation of the University