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treebystream:

Pablo Picasso. Angry Owl, 1953.
cinoh:
cinoh:

Premiere Lumière , 1959

Marcel Duchamp
cinoh:

“New Habits” at Casco

Commoning Times
Self-Portrait, Scarborough Bluffs - September 2014
northmagneticpole:

Untitled (Black and White Sweater II), 2013-Jennifer Paige Cohen
thedoppelganger:

Grand Marbre, Julien des Monstiers, 2013
grigiabot:

Ivan Kozáček

Tri sestry,1964
jillsies:

Céline store in SoHo via Garance Dore
paintedout:

Cy Twombly, untitled, lexington 2004
Twombly, 1981
mentaltimetraveller:

Peter Friedl, ‘5 bis 6 Amazonaskrokodile’, 1990
1924us:

Luigi Ghirri, Atelier Morandi, Grizzana, 1989-90

source
thinkingimages:

Hiroshi Sugimoto at Palais de Tokyo
aphranatley:

detail

pranidhana

(let go)

Aphra Natley, 2014
Touki Bouki (1973), dir. Djibril Diop Mambety
nyctaeus:

Robert Barry, ‘Closed Gallery Piece’, 1969
mpdrolet:

From Yamagata, 2002

Michael Danner
smalljoke:

by joe_silveira
L’amour existe, 1960, Maurice Pialat
Throw Away Your Books, Rally in the Streets (Shûji Terayama, 1971)
wowgreat:

Thomas Downing (American, 1928 - 1985)
Saranac, 1971
Oil on canvas
29 x 30 x inches
jeanbaptistesinniger:

Blue tape, New York City, 2014
motherearthsistermoon:

beautiful frida
smalljoke:

by brunozhu
paintedout:

Pablo Picasso, Wood Owl Woman
kadist:

Harun Farocki, The Words of the Chairman (Die Worte des Vorsitzenden), 1967. 16mm, 3 minutes.

e-flux has just posted a beautifully written tribute to Harun Farocki by Hito Styerl.

Over more than four decades, Farocki produced an extraordinary body of work that, for someone who continuously compared things, situations, and images to one another, is paradoxically incomparable. In all he did, he kept it simple, clear, and grounded. In cinematic terms: at eye level. His legacy spans generations, genres, and geographies. And the abundance of ideas and perspectives in his work does not cease to inspire. It trickles, disseminates, perseveres.

To read more, click here.