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Andy Goldsworthy
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Maryanne
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Maryanne
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Franz Erhard Walther, Four Body Weights, 1968
“ Walther’s installations take the shape of minimal rules of occupations of a space, defining limits, distances, directions and thus staging forced interactions. ” →
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by quesofrito
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Fernando Mariani. 2013.
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Tomás Gutiérrez Alea, Memories of Underdevelopment, 1968.
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Picasso
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Lygia Clark, The I and the You: Clothing/Body/Clothing, (1967)
“A proposal made for a couple in which both the man and the woman wear plastic boiler suits. Each boiler suit contains a lining made up of different materials (plastic bag with water, vegetable spume, rubber, etc.) which gives the man a feminine feel and a masculine feel for the woman. A hood, made of the same plastic, covers the eyes of the participants A rubber tube, like an umbilical cord connects the two boiler suits. When they touch each other, the participants find small openings in the suits (six zips), which give access to the inner lining. Translating them into the sensations felt by their partner. In this manner, the man finds himself in the woman and the woman finds herself in the man.”
-Lygia Clark
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twombly
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by chulyuskin
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Peter Bauhuis
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miju lee
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Claire Loder
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Disturbed order, academic year 1954–55. Design School HFG Ulm. Lecturer: Josef Albers. Student: Mary Vieira. 📷 HfG Archive
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Cy Twombly’s Rome apartment, from Bruce Weber’s A House Is Not A Home
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MARLENE SARROFF: Installation View: EQUILIBRIUM (deconstructed) 2014
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To imagine a language is to imagine a form of life.
Cy Twombly -
“Happiness, not in another place but in this place… not for another hour, but this hour” - Walt Whitman
