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  visualmixtape:

  Tadeusz Kantor, The Sea Concerto - Cricoteka Krakow, 1967

  (via hotparade)

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  matthewschiavello:

  ‘For Emma, #137’
  

  (05/11/14)

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  artspotting:

  Nobuo Sekine, Phase of Nothingness—Cut Stone 1970 

  Stone, stainless steel
  Dimensions variable

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  weissesrauschen:

  jamreilly:

  RobertBreer (b. Sep. 30, 1926): Untitled, from the portfolio The New York Collection for Stockholm, 1973 - lithograph on paper: Styria Studio (Printer) Experiments in Art and Technology (Publisher) - Smithsonian

  (via i12bent)

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  blastedheath:

  Robert Longo (American, b. 1953), On the Beach (Last Wave), 2004. Charcoal on paper, 60 × 76 ¾ in.

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  weissesrauschen:

  RITE OF PASSAGE - The Early Years of Vienna Actionism, 1960 – 1966 Curated by Hubert Klocker

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  thinkingimages:

  Ewa Partum

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  weissesrauschen:

  Andrea Longacre-White

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  archiveofaffinities:

  Pascal Hausermann, Bruno Camoletti, and Eric Hoechel, Egg-Shaped House, at Pougny, Ain, France, 1962

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  theories-of:

  Vanessa Safavi Les Figures Autonomes, 2011 a

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  artemisdreaming:

  Paul Éluard (1895-1952)

  Poem written in circular form, 1950 

  Title: Bonne Justice (Good Justice) - (image: changer.blogspot)

  Bonne justice

  C’est la chaude loi des hommes
  Du raisin ils font du vin
  Du charbon ils font du feu
  Des baisers ils font des hommes
   
  C’est la dure loi des hommes
  Se garder intact malgré
  Les guerres et la misère
  Malgré les dangers de mort
   
  C’est la douce loi des hommes
  De changer l’eau en lumière
  Le rêve en réalité
  Et les ennemis en frères
   
  Une loi vieille et nouvelle
  Qui va se perfectionnant
  Du fond du cœur de l’enfant
  Jusqu’à la raison suprême.

  
  
  

  Good Justice

  The warm law of humans:
  From grapes they make wine,
  From charcoal they make fire,
  From kisses they make humans

  The hard law of humans:
  To keep themselves safe despite
  War and misery,
  Despite the danger of death.

  The sweet law of humans:
  To change water into light,
  Dream into reality,
  And enemies into brothers.

  A law old and new
  That continues to perfect itself:
  From the bottom of a child’s heart
  To supreme reason.

  
  
  

  Paul Éluard

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  mranai:

  .

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  mpdrolet:

  Magnus Åström

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  elsastolz:

  Sigmar Polke wearing The Great Bitching Sheet

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  endilletante:

  Noir d’ivoire de J. L. Bedouin, photographies de Michel Huet. La guilde du livre, Lausanne, 1950.

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  mizisham:

  Image from page 147 of “Natural history” (1919) by Internet Archive Book Images on Flickr.

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  rawforms:

  aphexual:

  _/_

  source?

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  nyctaeus:

  Steve Reinke, ‘Camouflage from The Hundred Videos’, 1996

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  mentaltimetraveller:

  DAVID HOCKNEY

  2ND ABSTRACT PAINTING

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  mentaltimetraveller:

  JOSEPH BEUYS

  GO!

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  blastedheath:

  Jim Dine (American, b. 1935), Zebra, 1961. Velvet on canvas in artist’s painted wooden frame, 39 x 29 7/8 in. with frame.

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  dappledwithshadow:

  Dandelions, Vincent van Gogh

  1889

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  senkenbutai:

  Regular Platonic Solid, Tetrahedron

  1973

  斎藤義重

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  northmagneticpole:

  Visited Iceland last week-Annie Strachan

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  oldfilmsflicker:

  Beginners, 2011 (dir. Mike Mills)