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inneroptics:

Egon Schiele 1907
howtomakemoderndance:

Perfect Pony
artchiculture:

by Zsuzsi Ujj, 1989
grigiabot:

Noe Sendas
oncealoyallover:

By Cy Twombly
oncealoyallover:

By Miriam Vlaming
offtosognefjord:

Mount Wilson Observatory, M31, NGC224, Andromeda, South preceding region, 24/08/1925, United States, Vintage silver print
lostinfiber:

zeromcornejo | Maria Cornejo collection for KnollLuxe | Big Fringe Drapery
beileid:

A. Monastyrski, N. Alexeev, I. Yavorsky, V. and L. Veshnevsky, G. Kizevalter
Slogan, 1978

A piece of navy blue cloth (1 x 12 m) with white stenciled letters was hung on riverbank. The inscription said: “I WONDER WHY I LIED TO MYSELF THAT I HAD NEVER BEEN HERE AND WAS TOTALLY IGNORANT OF THIS PLACE – IN FACT, IT’S JUST LIKE ANYWHERE ELSE HERE, ONLY THE FEELING IS STRONGER AND INCOMPREHENSION DEEPER”.

Moscow region, Belorusskaya railway line, near the city of Zvenigorod.

9^th of April 1978
strannngebird:

Leo Hetzel 1966.
arosehasnoteeth:

Issey Miyake, Constructible clothes, 1969
chapitre-suivant:

Josef Albers teaching at Black Mountain College.
shihlun:

Jonas Mekas, As I Was Moving Ahead I Occasionally Saw Brief Glimpses Of Beauty, 2000.
mentaltimetraveller:

Joseph Kosuth
nexus8e:

“We love you Tania” posters University of California campus 15 April 1974
mixed-fruits:

richard tuttle
tarafirma:

wicked games ///
grupaok:

Ewa Partum, Stupid Woman — Performance, BWA Krakow, 1981
aubreylstallard:

Corey Cavagnolo
daniellecriqui:

JJ
visualmixtape:

Tadeusz Kantor, The Sea Concerto - Cricoteka Krakow, 1967

(via hotparade)
matthewschiavello:

‘For Emma, #137’

(05/11/14)
artspotting:

Nobuo Sekine, Phase of Nothingness—Cut Stone 1970
Stone, stainless steel
Dimensions variable
weissesrauschen:

jamreilly:

RobertBreer (b. Sep. 30, 1926): Untitled, from the portfolio The New York Collection for Stockholm, 1973 - lithograph on paper: Styria Studio (Printer) Experiments in Art and Technology (Publisher) - Smithsonian

(via i12bent)