Tumblr Image Viewer

• 

  lostinfiber:

  zeromcornejo | Maria Cornejo collection for KnollLuxe | Big Fringe Drapery

• 
• 

  beileid:

  A. Monastyrski, N. Alexeev, I. Yavorsky, V. and L. Veshnevsky, G. Kizevalter
  Slogan, 1978

  A piece of navy blue cloth (1 x 12 m) with white stenciled letters was hung on riverbank. The inscription said: “I WONDER WHY I LIED TO MYSELF THAT I HAD NEVER BEEN HERE AND WAS TOTALLY IGNORANT OF THIS PLACE – IN FACT, IT’S JUST LIKE ANYWHERE ELSE HERE, ONLY THE FEELING IS STRONGER AND INCOMPREHENSION DEEPER”.

  Moscow region, Belorusskaya railway line, near the city of Zvenigorod.

  9^th of April 1978

• 

  ninebagatelles:

  Mo Costello

  From his her series Vitamins For Troubled Hearts

• 

  strannngebird:

  Leo Hetzel 1966.

• 

  arosehasnoteeth:

  Issey Miyake, Constructible clothes, 1969

• 

  chapitre-suivant:

  Josef Albers teaching at Black Mountain College.

   

• 

  shihlun:

  Jonas Mekas, As I Was Moving Ahead I Occasionally Saw Brief Glimpses Of Beauty, 2000.
  

• 

  mentaltimetraveller:

  Joseph Kosuth

• 

  nexus8e:

  “We love you Tania” posters University of California campus 15 April 1974

• 

  mixed-fruits:

  richard tuttle 

• 

  tarafirma:

  wicked games ///

• 
• 

  grupaok:

  Ewa Partum, Stupid Woman — Performance, BWA Krakow, 1981

• 

  aubreylstallard:

  Corey Cavagnolo

• 

  daniellecriqui:

  JJ 

• 
• 

  visualmixtape:

  Tadeusz Kantor, The Sea Concerto - Cricoteka Krakow, 1967

  (via hotparade)

• 

  matthewschiavello:

  ‘For Emma, #137’
  

  (05/11/14)

• 

  artspotting:

  Nobuo Sekine, Phase of Nothingness—Cut Stone 1970 

  Stone, stainless steel
  Dimensions variable

• 

  weissesrauschen:

  jamreilly:

  RobertBreer (b. Sep. 30, 1926): Untitled, from the portfolio The New York Collection for Stockholm, 1973 - lithograph on paper: Styria Studio (Printer) Experiments in Art and Technology (Publisher) - Smithsonian

  (via i12bent)

• 

  blastedheath:

  Robert Longo (American, b. 1953), On the Beach (Last Wave), 2004. Charcoal on paper, 60 × 76 ¾ in.

• 

  weissesrauschen:

  RITE OF PASSAGE - The Early Years of Vienna Actionism, 1960 – 1966 Curated by Hubert Klocker

• 

  thinkingimages:

  Ewa Partum

• 

  weissesrauschen:

  Andrea Longacre-White

• 

  archiveofaffinities:

  Pascal Hausermann, Bruno Camoletti, and Eric Hoechel, Egg-Shaped House, at Pougny, Ain, France, 1962

• 
• 

  theories-of:

  Vanessa Safavi Les Figures Autonomes, 2011 a

• 
• 

  artemisdreaming:

  Paul Éluard (1895-1952)

  Poem written in circular form, 1950 

  Title: Bonne Justice (Good Justice) - (image: changer.blogspot)

  Bonne justice

  C’est la chaude loi des hommes
  Du raisin ils font du vin
  Du charbon ils font du feu
  Des baisers ils font des hommes
   
  C’est la dure loi des hommes
  Se garder intact malgré
  Les guerres et la misère
  Malgré les dangers de mort
   
  C’est la douce loi des hommes
  De changer l’eau en lumière
  Le rêve en réalité
  Et les ennemis en frères
   
  Une loi vieille et nouvelle
  Qui va se perfectionnant
  Du fond du cœur de l’enfant
  Jusqu’à la raison suprême.

  
  
  

  Good Justice

  The warm law of humans:
  From grapes they make wine,
  From charcoal they make fire,
  From kisses they make humans

  The hard law of humans:
  To keep themselves safe despite
  War and misery,
  Despite the danger of death.

  The sweet law of humans:
  To change water into light,
  Dream into reality,
  And enemies into brothers.

  A law old and new
  That continues to perfect itself:
  From the bottom of a child’s heart
  To supreme reason.

  
  
  

  Paul Éluard