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  howtomakemoderndance:

  Perfect Pony

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  artchiculture:

  by Zsuzsi Ujj, 1989

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  grigiabot:

  Noe Sendas

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  oncealoyallover:

  By Cy Twombly

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  oncealoyallover:

  By Miriam Vlaming

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  offtosognefjord:

  Mount Wilson Observatory, M31, NGC224, Andromeda, South preceding region, 24/08/1925, United States, Vintage silver print

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  mpdrolet:

  Joanna Chudy

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  lostinfiber:

  zeromcornejo | Maria Cornejo collection for KnollLuxe | Big Fringe Drapery

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  beileid:

  A. Monastyrski, N. Alexeev, I. Yavorsky, V. and L. Veshnevsky, G. Kizevalter
  Slogan, 1978

  A piece of navy blue cloth (1 x 12 m) with white stenciled letters was hung on riverbank. The inscription said: “I WONDER WHY I LIED TO MYSELF THAT I HAD NEVER BEEN HERE AND WAS TOTALLY IGNORANT OF THIS PLACE – IN FACT, IT’S JUST LIKE ANYWHERE ELSE HERE, ONLY THE FEELING IS STRONGER AND INCOMPREHENSION DEEPER”.

  Moscow region, Belorusskaya railway line, near the city of Zvenigorod.

  9^th of April 1978

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  ninebagatelles:

  Mo Costello

  From his her series Vitamins For Troubled Hearts

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  strannngebird:

  Leo Hetzel 1966.

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  arosehasnoteeth:

  Issey Miyake, Constructible clothes, 1969

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  chapitre-suivant:

  Josef Albers teaching at Black Mountain College.

   

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  shihlun:

  Jonas Mekas, As I Was Moving Ahead I Occasionally Saw Brief Glimpses Of Beauty, 2000.
  

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  mentaltimetraveller:

  Joseph Kosuth

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  nexus8e:

  “We love you Tania” posters University of California campus 15 April 1974

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  mixed-fruits:

  richard tuttle 

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  tarafirma:

  wicked games ///

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  grupaok:

  Ewa Partum, Stupid Woman — Performance, BWA Krakow, 1981

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  aubreylstallard:

  Corey Cavagnolo

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  daniellecriqui:

  JJ 

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  visualmixtape:

  Tadeusz Kantor, The Sea Concerto - Cricoteka Krakow, 1967

  (via hotparade)

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  matthewschiavello:

  ‘For Emma, #137’
  

  (05/11/14)

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  artspotting:

  Nobuo Sekine, Phase of Nothingness—Cut Stone 1970 

  Stone, stainless steel
  Dimensions variable

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  weissesrauschen:

  jamreilly:

  RobertBreer (b. Sep. 30, 1926): Untitled, from the portfolio The New York Collection for Stockholm, 1973 - lithograph on paper: Styria Studio (Printer) Experiments in Art and Technology (Publisher) - Smithsonian

  (via i12bent)

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  blastedheath:

  Robert Longo (American, b. 1953), On the Beach (Last Wave), 2004. Charcoal on paper, 60 × 76 ¾ in.

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  weissesrauschen:

  RITE OF PASSAGE - The Early Years of Vienna Actionism, 1960 – 1966 Curated by Hubert Klocker