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Drawing connections, making connections, free association and opening up the channels. Issey Miyake by Irving Penn paired with found orchid leaf.
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SOL LEWITT
Black Bands in Two Directions, 1991 Woodcut on Kizuki Hanga Paper 32 x 33 ed. 75
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Photo: Adam Warmington
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Sue Ford, Fabian (1966, 1974, 1980), from the series, Time II (1962-82)
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Werner Knaupp, Wellen, 1966
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Art-Language v. 4 no. 1, May 1977
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_SHRBRKARMA
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Planos em Superficie Modulada, 1952
Card, graphite, gouache
50.1 x 48.4 cm
19 3/4 x 191/8 ins -
martha rosler Empty Boys
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Fairfield Porter (American, 1907-1975), Sunrise, 1974. Watercolor and pencil on paper, 30 x 22 in.
Lovers, I’ve started a tumblr with the distinct purpose of sharing my research, process and studio practice. Here, you’ll find remnants of ideas, resolved, unresolved or otherwise simple documents of movement and exploration.
Follow along if you want.
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Japanese Exhibition Poster: Nagaba Sayo. Yutaka Satoh. 2014
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Friedensreich Hundertwasser “self-made summer and winter shoes” (1950)
Hundertwasser was convinced that “Only he who thinks and acts creatively, lives“. He turned against conformism and postulated the individual creativity of each individual. He criticized prefabricated and finished-part production and demanded the creative design of our clothes, the second skin, as he spoke of it. Motivated by René Brô’s creative clothing, Hundertwasser already began in 1949 to sew his own trousers and shirts from different pieces of cloth and started to produce his own shoes. Since that time Hundertwasser designed his clothes himself, he had his trousers and shirts sewn after his design and pullovers and socks knit. He made his own summer and winter shoes and sandals. Thus he became a forerunner of the later known “Creative Clothing Movement”.
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Paul Nash
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Agnes Martin, Praise, rubber stamp print 11 x 11 ed. 1000, 1976.
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Francis Picabia
Transparence
1930
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Peter Doig, Canoe Lake, 1999
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