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  uvre:

  8th Paper Octagonal, Richard Tuttle, 1970.
  

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  contemporaryartdaily:

  Günther Förg at Greene Naftali

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  decadediary:

  Dorothea Rockburne, Drawing Which Makes Itself, 1973.

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  at Toronto, Ontario

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  vjeranski:

  m-i-s-o—-ii:

  Sigmar Polke

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  askyourbody:

  slow dancing
  

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  enjoyworkflow:

  Jean McEwen, [Montreal Olympic Games, 1976, Poster]

  via Charmant et Courtois

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  eccontemporary:

  Ry David Bradley, Border Protection #2, 2015, dye-transfer and aerosol on synthetic suede, 182,5 x 112 cm

  http://rydavidbradley.com/
  http://www.tristiankoenig.com/

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  errorezine:

  Ian Swanson. Fundamentalist Cellphone, 2014

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  blueberrymodern:

  apiece apart

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  thenoguchimuseum:

  Isamu Noguchi’s Spider Dress and Serpent set elements for Martha Graham’s Production, Cave of the Heart, 1946

  Photo by Kevin Noble

  The Noguchi Museum Archive

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  eiginleiki:

  Comme des Garçons

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  vjeranski:

  ANNA BADUR

  »Drawn by Nature« fabrics have been awarded with the iF concept design award 2013 in the category “furniture / home textiles / fabrics”

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  zamaaanawal:

  Cute kids and cotton candy in Kuwait, 1952.

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  askyourbody:

  156. Why is the sky blue? -A fair enough question, and one I have learned the answer to several times. Yet every time I try to explain it to someone or remember it to myself, it eludes me. Now I like to remember the question alone, as it reminds me that my mind is essentially a sieve, that I am mortal.
  
  157. The part I do remember: that the blue of the sky depends on the darkness of empty space behind it. As one optics journal puts it, “The color of any planetary atmosphere viewed against the black of space and illuminated by a sunlike star will also be blue.” In which case blue is something of an ecstatic accident produced by void and fire.
  

  from Bluets, Maggie Nelson
  

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  philoclea:

  Helena Severin & Annely Bouma by Annemarieke van Drimmelen for Muse, winter 2014

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  nevver:

  The New Yorker

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  advice to young girls

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  aubreylstallard:

  Amanda Greenberg

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  aubreylstallard:

  Paul Jenkins, 1972

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  northmagneticpole:

  Ana Kras (Instagram)

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  askyourbody:

  in exchange for this feeling take that feeling

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  smalljoke:

  by charlieengman

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  sickpage:

  Vitya Glushchenko

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  paintedout:

  Jonathan Binet

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  yama-bato:

  Chrysanthemums, 1965

  Ruth Asawa

  American, 1926-2013

  Lithograph, 2nd state

  Sheet: 30 x 22 in. (76.2 x 55.9 cm)

  Norton Simon Museum, Anonymous Gift, 1966

  P.1966.07.132

  © 2011 Ruth Asawa