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✖Richard Serra monoliths in the Qatari Desert
by sexyfront http://ift.tt/1uPfXWo
Les Objets à Réaction Poetique
1931–6
A collaboration between designer Charlotte Perriand, architect Pierre Jeanneret and painter Fernand Léger. Taken using the portable Rolleiflex camera, the series consists of 25 square format black and white photographs documenting one of the many walks they took together, capturing various organic forms and “surrealist” found objects along the way. Interspersed among these are images of the artists holding a melting block of ice up to the sun which add a very performative and temporal quality to the series. It is particularly interesting to see three artists working with a medium that wasn’t a primary part of their practices.
Crossword by Ryan Gander, originally published in The Times,
Friday 20 January, 2006ACROSS
7 Second letter of the Greek alphabet (4)
8 Deceptive (8)
9 Frustrate (6)
10 Seek to hurt or defeat (6)
11 Stem (5)
13 One million tons (7)
16 Indeterminate number (7)
17 Mythical word that refers to itself (5)
19 Indicates a direction (6)
21 Fine (6)
23 Stack of firewood (8)
24 Long fish (4)DOWN
1 Yes (4)
2 Never converging or diverging (8)
3 Prospect (5)
4 Plicate (7)
5 Is not (4)
6 Green flower vegetable (8)
12 Flag of France (8)
14 Lively, vigorous (8)
15 Marsh marigold (7)
18 Speak extravagantly (5)
20 Unclothed (4)
22 One of two equal parts (4)
“Tomorrow Never Dies”, installation, 2015
Teeny Duchamp, Marcel Duchamp et John Cage au Ryerson Institute de Toronto, le 5 mars 1968
John Cage (1912-1992) était un passionné d'échecs. Alors que dans ses compositions, il se fiait au hasard, aux échecs par contre, il était fasciné par la prévisibilité. En 1968, il a joué avec son ami Marcel Duchamp, champion de Haute-Normandie en 1924, une partie d'échecs. L'échiquier utilisé lors de cette « Reunion », construit par Lowell Cross, compositeur d'oeuvres électro-acoustiques et multimédia, ingénieur et constructeur d'instruments, possédait des contacts électroniques qui, lors de chaque mouvement, modifiaient la structure sonore d'un morceau de musique relié ou déclenchaient la projection d'une diapo. A la fin de la performance il ne restait plus personne dans la salle.
ailawang: jennn_park
From Water Matters
Julia Baier
former lovers, current friends
April 11, 2015 - Toronto
updates
Issey Miyake SS15
at Toronto, Ontario
at Univeristy of Toronto; University College
archives
#lifespace
Ellsworth Kelly, Solomon’s Seal, 1967
Brochure for Richard Serra’s Exhibition, “Richard Serra, Drawings” at the Richard Hines Galley, Seattle, (1979)
Catalogue with 10 installation images that document Serra’s exhibition of 7 works made with Belgian Paint stick on Belgium linens.
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John Cage
John Cage. “Eninka #42,” 1986. Smoked-paper monotype with branding on gampi paper chine collé. 24 ½ x 18 ½ in. Publisher and printer: Crown Point Press, unique. Image courtesy Crown Point Press, San Francisco.
“En 1973, les collections quittent le Musée qui sera fermé pendant trois ans, pour la durée des travaux de réaménagement et d'agrandissement. La plus grande partie des oeuvres sera entreposée dans un immeuble du square Philipps.” (Musée des Beaux-Arts de Montréal)
Ace Kieffer
words like balloons…
Jon Pestoni