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  jameswoodfill:

  whirl

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  dailycontents:

  Installation view of Isabelle Cornaro: Paysage avec poussin at the South London Gallery, 2015.

  (Via: ROLU)

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  atableofcontents:

  Y’s by Yohji Yamamoto - SS15

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  atableofcontents:

  Comme des Garçons Comme des Garçons - Straw Hat

  tableofcontents.us

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  vjeranski:

  LILIANA PORTER
  Untitled (line), 1973
  silver gelatin and graphite
  14 × 11 in
  35.5 × 28 cm

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  askyourbody:

  everything everyday

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  mpdrolet:

  Denis Cherim
  

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  sqncs:

  Empty archives.

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  pop-up-x:

  RO/LU- surfaces on wich your setting and sitting will be uncertain

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  kingofcouture:

  DIOR HOMME par Kris van Assche | FW 2015/16

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  mpdrolet:

  Tennis Court, 1973

  David Hockney
  

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  qurty:

  Hito Steyerl

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  uvre:

  8th Paper Octagonal, Richard Tuttle, 1970.
  

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  contemporaryartdaily:

  Günther Förg at Greene Naftali

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  decadediary:

  Dorothea Rockburne, Drawing Which Makes Itself, 1973.

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  at Toronto, Ontario

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  vjeranski:

  m-i-s-o—-ii:

  Sigmar Polke

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  askyourbody:

  slow dancing
  

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  enjoyworkflow:

  Jean McEwen, [Montreal Olympic Games, 1976, Poster]

  via Charmant et Courtois

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  eccontemporary:

  Ry David Bradley, Border Protection #2, 2015, dye-transfer and aerosol on synthetic suede, 182,5 x 112 cm

  http://rydavidbradley.com/
  http://www.tristiankoenig.com/

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  errorezine:

  Ian Swanson. Fundamentalist Cellphone, 2014

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  blueberrymodern:

  apiece apart

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  thenoguchimuseum:

  Isamu Noguchi’s Spider Dress and Serpent set elements for Martha Graham’s Production, Cave of the Heart, 1946

  Photo by Kevin Noble

  The Noguchi Museum Archive

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  eiginleiki:

  Comme des Garçons

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  vjeranski:

  ANNA BADUR

  »Drawn by Nature« fabrics have been awarded with the iF concept design award 2013 in the category “furniture / home textiles / fabrics”

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  zamaaanawal:

  Cute kids and cotton candy in Kuwait, 1952.

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  askyourbody:

  156. Why is the sky blue? -A fair enough question, and one I have learned the answer to several times. Yet every time I try to explain it to someone or remember it to myself, it eludes me. Now I like to remember the question alone, as it reminds me that my mind is essentially a sieve, that I am mortal.
  
  157. The part I do remember: that the blue of the sky depends on the darkness of empty space behind it. As one optics journal puts it, “The color of any planetary atmosphere viewed against the black of space and illuminated by a sunlike star will also be blue.” In which case blue is something of an ecstatic accident produced by void and fire.
  

  from Bluets, Maggie Nelson
  

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