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  throughaglassdarkly1961:

  “The destruction you’ve caused in me couldn’t be more complete.”  – Teorema (1968), dir. Pier Paolo Pasolini 

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  paintedout:

  Lucio Fontana
  

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  garadinervi:

  Pauline Oliveros – Zeena Parkins, Presença Series 001, Presença Series,
  Lucky Kitchen ‎– LK 0034, Fundação de Serralves, 2015. Artwork: Michelle Grabner. Design: Remco Van Bladel

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  jacobvanloon:

  gorham losses

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  troposphera:

  Nagaur, India

  A labourer works on a salt pan in Rajasthan

  Photograph: Himanshu Sharma/AFP/Getty Images

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  nobrashfestivity:

  Onchi Kôshirô   Caricature no-1 Bread and Match 1948
  

  more

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  neoyorzapoteca:

  Clarissa Sligh / Linda S. Klinger, “Where’s the Artist? Feminist Practice and Poststructural Theories of Authorship”
  

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  365filmsbyauroranocte:

  Anna Magnani in Mamma Roma (Pier Paolo Pasolini, 1962)
  

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  nationalgeographicscans:

  a farmer and his donkey in Zamora Province haul flowering nabiza, turnip plants, to feed his cattle or to be pressed for vegetable oil. Spain, March 1978

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  cinoh:

  A meditation labyrinth at the sexual addiction treatment center Gentle Path at the Meadows. Caitlin O'Hara for The New York Times

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  kafkasapartment:

    Little Girl at MoMA With Calder Mobile, c. 1950s. Alfred Statler

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  kakaji:

  Claes Oldenburg and Coosje van Bruggen
  Architectural Fragments, 1985

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  arterialtrees:

  kathy acker

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  apeninacoquinete:

  Sunset on The Coast of Maine

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  currentinspiration:

  Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), sheet steel, Offenbach, 1967.

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  lucjan:

  some sketches,
  a comic in the creation process, I have 40 pages of written story and it goes very slowly; <

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  wmud:

  isamu noguchi with skidmore owings and merrill - sunken court, chase manhatten bank, new york, 1964

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