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  unrar:

  India, Uttar Pradesh. Agra. Taj Mahal. The Yamuna river 1985. Raghu Rai.  
  

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  beautefragile:

  Spring Vegetable Tagliatelle — lean meadow

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  aqqindex:

  Ant Farm, 50” x 50” Pillow, 1970

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  jordanelse:

  John Thomson, Wu-Shan Gorge, Upper Yangtsze, albumen print, 1868.

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  sexrova:

  Yohji Yamamoto Spring 1998

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  northmagneticpole:

  Alina Vergnano

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  cinoh:

  lucie rie
  

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  loidhne:

  blushingcheekymonkey:

  archizoom associati - superonda (1966)

  Bomb

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  jpegheaven:

  Central Saint Martins Fall 2012
  

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  collection-collection:

  Kenneth Jeffrey

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  weissesrauschen:

  Cerith Wyn Evans  Automatic Ink Drawing, Kyoto
  

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  doomandgloomfromthetomb:

  Alice Coltrane - Interview, WKCR New York City, September 23, 1971

  Thanks to Observations of Deviance for pointing me in the direction of this long interview with Alice, conducted on the occasion of what would’ve been John Coltrane’s 45th birthday. The Coltrane kids are there, too. Great stuff. 

  You can also still get this fiery recording from around the same time, featuring Alice, Pharoah Sanders, Archie Shepp, Jimmy Garrison, Ed Blackwell, Clifford Jarvis and Cecil McBee taking of “Africa” for close to a half hour. 

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  mentaltimetraveller:

  Alejandro Cesarco
  ‘If in Time’, 2012
  
  

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  bartleby-company:

  Pier Paolo Pasolini & Alberto Moravia

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  mindcontrolexperiment:

  Paul Kos. The Sound of Ice Melting, 1970. Two 25 Ibs blocks of ice, eight standing boom microphones, amplifier, speaker, dimensions variable

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  mpdrolet:

  Steve Paneccasio
  

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  tothi:

  https://www.facebook.com/Collectionofmonochrome

  Roman Signer
  

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  Meditating With Children: The Art of Concentration and Centering by Deborah Rozman. University of the Trees Press, 1975.

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  weissesrauschen:

  Bernd and Hilla Becher
  Water Tower, Arras, Pas-de-Calais, 1979  
  

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  cinoh:

  As Yet Untitled by Anish Kapoor | art installation | found on modernism.ro 
  

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  northmagneticpole:

  Black Curve, 1972-Ellsworth Kelly

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  dizzymoods:

  Artavazd Peleshian developed a style of filmmaking called distance montage. Contrary to the influential Eisensteinian model, Peleshian derives meaning from the experience of the whole film not a dialogue between the frames. Where Eisenstein’s montage attracts the mind, Peleshian’s montage awakens the spirit. 

  End is such an example of this distance montage. A simple train ride takes on metaphorical meaning. It is the journey of life. It is the ascent into Heaven. It is man’s ability to do good.

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  sqncs:

  Reynisdrangar.

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  weissesrauschen:

  http://polar-inertia.tumblr.com