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  furtho:

  László Moholy-Nagy’s photograph at Dessau, c1930s (via studyblue)
  

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  jemjuniper:

  By Willem de Kooning

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  paintedout:

  Ana Mendieta, Untitled, from the series Silueta Works in Iowa, 1978
  

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  mentaltimetraveller:

  Walter Darby Bannard . The Model #2 . 1960

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  20aliens:

  Ismailia.1977. A PEACE DOVE being carried to the site where the Israelo Egyptian peace agreements are to be signed.
  Micha Bar Am

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  havechanged:

  Noguchi

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  collecttoeffect:

  Vase

  Alvar Aalto

  1937

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  schuhtutehemd:

  away keeping: 💭 ѕѕ15 for @erinconsidine by @dsmcmahon by tyanamasic http://ift.tt/1FmUgGr

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  paintedout:

  Richard Long, Untitled

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  preciousandfregilethings:

  sixtensason:

  Ludwig Mies van der Rohe, 50 x 50 House, 1950-52 

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  settingconsidered:

  federicotorra:

  Terragni - Casa del Fascio, Como

  =

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  peterschwarze:

  Albert Oehlen

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  artnotart14:

  Zak Prekop, ‘Transparency with Blue Light,’ , Shane Campbell Gallery

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  light on a book about light (and other redundancies)

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  archivings:

  Issey Miyake Fall/Winter 1993
  

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  island

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  sfmoma:

  SubmissionFriday: 

  delaneyallen

  The Sky Above, The Mississippi River Below (2013)

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  artspotting:

  Yohei Nishimura

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  kadist:

  Nevada. In the Peavine Mountains lonely, bored sheepherders entertained themselves by carving naked ladies & messages into the Aspen trees, otherwise known as Arborglyphs. The oldest carvings are dated 1901, the most recent 1989.

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  coritaartcenter:

  (photos from the Corita Art Center. Click to see corresponding titles and catalog numbers.)

  Corita made this series of eight peaceful landscapes in gentle colors out of respect for the natural order of things and peoples’ ability to create harmony. These prints total a little more than half of all of Corita’s works produced in 1982. Each print in the suite bears a line from a traditional Peace Blessing from India.

  82-7 may the winds blow sweetly
  82-8 may the rivers flow sweetly
  82-9 may plants and herbs be sweet to you
  82-10 may days and nights be sweet to you
  82-11 may the dust of the earth be sweet to you
  82-12 may the heavens that protect us be sweet to you
  82-13 may the trees be sweet to you
  82-14 may the sun shine on you sweetly

  The lines appear to come from a sacred Hindu text, and the last of the four Vedas, called the Atharvaveda. According to tradition, its oldest name is Atharvangirasah, meaning “the Atharvans and Angiras”, referring to the two groups of rishi (sages) that produced the text. Although the other Vedas include hymns primarily meant for rituals and ceremonies, the Atharvaveda primarily consists of spells and incantations for healing. It was very modern for its time – it was one of the first Indo-Aryan texts to deal with medicine (there are descriptions of causative agents of diseases and explanations on using antibiotics to “defeat” illnesses). 

  Because the text has been translated so many times, there are many variations of the lines that inspired Corita’s landscapes. The following lines are from the “Prayer for exemption from the dangers of death” in Maurice Bloomfield’s translation of the Atharvaveda:

  May heaven and earth, the bestowers of happiness, be auspicious and harmless to thee; may the sun-shine, and the wind blow comfort to thy heart; may the heavenly waters, rich in milk, flow upon thee kindly!

  May the plants be auspicious to thee! I have raised thee from the lower to the upper earth: there may both the Âdityas, the sun and the moon, protect thee.

  An alternate translation of the same excerpt:

  May the wind blow us bliss,
  May the Sun shine bliss on us,
  May the days be blissful to us,
  And the night approach us blissfully,
  And blissfully the dawn.

  Finally, version three:

  May the wind kindly breathe on us, may the Sun warm us pleasantly.

  May days pass happily for us, may night draw near delightfully, may dawn break joyfully for us. 

  There is also a Hindu Peace Prayer titled “Prayer for the Unity of All Life”, whose first two lines are extremely similar to the previous passages:

  May the winds, the oceans, the herbs, and night and days, the mother earth,
  
  the father heaven, all vegetation, the sun, be all sweet to us.

  Corita’s landscapes, with their broad, loosely consolidated shapes of calming, pleasant hues, depict the same idea of the vastness and harmony of nature that the original text conveys.   

  Search for these pieces in the Corita Art Center’s collection here.

  Sources: [x] [x] [x] [x] [x] [x] [x] [x]

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  inneroptics:

  William R. Heick, Anna Halprin, 1953
  

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  fiber-space:

  triaxial weaving 

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  aubreylstallard:

  Sister Corita Kent, 1966

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  huldrapress:

  Dieter Roth, ideograme for material 2

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  what-do-i-wear:

  elizabeth and james resort ‘16
  

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  aubreylstallard:

  Leon Berkowitz, 1976