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  dizzymoods:

  Artavazd Peleshian developed a style of filmmaking called distance montage. Contrary to the influential Eisensteinian model, Peleshian derives meaning from the experience of the whole film not a dialogue between the frames. Where Eisenstein’s montage attracts the mind, Peleshian’s montage awakens the spirit. 

  End is such an example of this distance montage. A simple train ride takes on metaphorical meaning. It is the journey of life. It is the ascent into Heaven. It is man’s ability to do good.

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  sqncs:

  Reynisdrangar.

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  weissesrauschen:

  http://polar-inertia.tumblr.com
  

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  mentaltimetraveller:

  Valerie Krause, 2014

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  trefoiled:

  Lesley Ann Ercolano

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  artistiq-ue:

  Floris Neususs, 1971.
  Property scale 1
  infinity to 1:1

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  furtho:

  László Moholy-Nagy’s photograph at Dessau, c1930s (via studyblue)
  

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  jemjuniper:

  By Willem de Kooning

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  paintedout:

  Ana Mendieta, Untitled, from the series Silueta Works in Iowa, 1978
  

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  mentaltimetraveller:

  Walter Darby Bannard . The Model #2 . 1960

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  20aliens:

  Ismailia.1977. A PEACE DOVE being carried to the site where the Israelo Egyptian peace agreements are to be signed.
  Micha Bar Am

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  havechanged:

  Noguchi

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  collecttoeffect:

  Vase

  Alvar Aalto

  1937

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  schuhtutehemd:

  away keeping: 💭 ѕѕ15 for @erinconsidine by @dsmcmahon by tyanamasic http://ift.tt/1FmUgGr

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  paintedout:

  Richard Long, Untitled

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  preciousandfregilethings:

  sixtensason:

  Ludwig Mies van der Rohe, 50 x 50 House, 1950-52 

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  settingconsidered:

  federicotorra:

  Terragni - Casa del Fascio, Como

  =

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  peterschwarze:

  Albert Oehlen

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  artnotart14:

  Zak Prekop, ‘Transparency with Blue Light,’ , Shane Campbell Gallery

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  light on a book about light (and other redundancies)

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  archivings:

  Issey Miyake Fall/Winter 1993