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  herzogtum-sachsen-weissenfels:

  Helen Frankenthaler (American, 1928-2011), Snow Pines, 2004. Thirty-four color Ukiyo-e woodcut printed from 16 woodblocks on Torinoko paper and mounted onto Fabriano Classico paper, 95.3 x 66 cm.

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  lafilleblanc:

   John Baldessari ©

  I Will Not Make Any More Boring Art, 1971 

  via

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  mythologyofblue:

  In Tabor, Czech Republic

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  nadmaher:

  Vira Hinnemo

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  paintedout:

  Cy Twombly
  

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  mariaslikesss:

  “To @maria__katarina ’s relief” by @p0n.pon http://ift.tt/1Qm8nQc

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  catherinelauigan:

  Wearables dyed in walnut hulls and anatto seeds

  Cat Lauigan 2016

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  mpdrolet:

  Bego Anton
  

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  weissesrauschen:

  http://clementbalavoine.com
  

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  floriental:

  Lygia Clark
  Diálogo de Mãos, 1966

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  nearlya:

  Cy Twombly
  

  Untitled, 1955, pencil on paper

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  seaofempties:

  LA River

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  peepuddle:

  *tattoos this on m forehead*

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  joga:

  Inoue Tsuguya / Lilo Hess, Enzo Cucchi-Spring 1989
  

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  blupoop:

  festeszet:

  Georgia O’Keeffe

  Untitled (Abstraction Red Wave with Circle), 1979

  georgia dont even try 2 fukin tell me this is a damn ‘abstraction red wave with circle’ this is a goddamn tiddy u know it i know it everybody does just call it a fukin tiddy jfc

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  paintedout:

  Chung Chang-Sup, ‘Return 77-O’, 1977, mixed media on paper, 197 x 110 cm
  

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  venvenvenadito:

  Lina Bo Bardi 

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  mikasavela:

  Lina Bo (Bardi)’s Italian business card from 1940s, prior to her move to Brazil.

  From Domus magazine’s article on the 2014 “Lina Bo Bardi in Italy” exhibition at MAXXI in Rome.

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  colin-vian:

    Miguel Barcelo (1957)

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  visva:

  Sara AE Schumacher

  http://saesdesign.com/

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  aubreylstallard:

  Milton Avery, Shapes of Spring, 1952